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Wednesday, December 31, 2014

Happy 2015!



Here's wishing all my visitors a Happy New Year and all the best for 2015!

2014 was a mixed bag for me. I'm hoping 2015 will see things improve. I'm leaving you with a photo of the Charlevoix Bridge Drop , an annual event in my hometown to herald in the new year. I think I'll be skipping the festivities this time. It's going to be very cold and windy so I'm staying home, warm and cozy with a nice pepperoni pizza and a good movie.

 Photo Courtesy of Walter Barkley

Wednesday, December 24, 2014

To all my visitors. Thank you for a great year and your support. I hope you are enjoying your holiday.


Tuesday, December 16, 2014

Kitty Kocktail ~ drawing



This project may be beyond my expertise as a painter but I want to give it a go anyway. I've never painted a clear glass anything before but there's always a first time.

I met this adorable little kitten this past September at the hair salon I frequent. One of the hairdressers had rescued him and brought him to work because he needed to be feed every 1-2 hours around the clock. He was so tiny he fit in the palm of my hand and he was such a sweet kitten. The stylist that was caring for him had taken a photo of him in a wine glass and she showed it to me on her cellphone. I never forgot it so when I arrived for another hair appointment last week I asked permission to use the image for a painting. Thankfully she still had the photo and gladly she agreed. I know I've drawn this too small already and need to enlarge it. I'm not known for my steady hand so we'll see how well I do. I may have to paint this more than once to get it right.

Sunday, December 14, 2014

Mama Luv



I just completed my latest cat painting and I'm pretty happy with it. Shame that my blues appear more red violet in places but I was happy to get a halfway decent photo at all today. It's so gloomy.

I saw Karina's image of a mother cat with her kitten on PMP and knew I had to paint it. Shy kitten, protective mother...a short story, if you will. It speaks to a part of the mother and child bond that exists in both the human world and the animal kingdom, but a very important part. To quote Stephen King, "There's no bitch on earth like a mother frightened for her kids.”
 

Monday, December 08, 2014

Little S-Kittles



The title popped into my head while I was finishing this painting and I think it works. It's been almost a month since I updated my blog so I thought I'd paint some kitties and post them. I have another feline painting ready to go, too.

I was inspired by a photo a friend posted on Facebook, Tracy Meadows. Tracy rescued a litter of kittens recently. He said he found them under his porch and the photo he posted was just too darn cute to pass up. I asked him if I could use it and he obliged. The actual kittens are all a smoky grey so I decided to take a lot of liberty with my palette. And this is my favorite palette....golds and violets. I used DS Quin deep gold, DS Quin Burnt scarlet, DS Quin sienna, DS Carbazole Violet and DS Quin Violet. With these colors I can go just as vibrant or neutral as I want with no mud making involved. Hope you like. 

Sunday, November 09, 2014

Liquitex Flexible Modeling Paste ~ product review



I'm always on the lookout for ways to add texture to some of my paintings. Today I experimented with this product and I highly recommend it to artists that prefer to work on paper like myself. It's flexible, as the label states, so it won't crack on flexible surfaces. Up to this point I've been relying on Liquitex gesso to get a degree of texture but there's a lot of moisture in gesso and it takes a long time to dry. Also it's rather runny, causing the paper to buckle, and has to be worked and reworked with a palette knife or other tool to produce an interesting surface. However this product is thick, easy to mold and dries much faster. It's also possible to get a high degree of texture not possible with acrylic gesso. I created this sample floral to see how well the modeling paste accepted watercolor and ink. It behaved very similar to gesso. Paint was pretty easy to lift but I think the surface tended to stain a bit more. If a non porous surface was needed a coat or two of high gloss gel medium over the modeling paste would accomplish that.  

Saturday, November 01, 2014

Silverbark at Sundown ~ complete (acrylic and collage on paper)



I'm going to call this done now. It doesn't look like I've done much since my last post but I spent a lot of time just looking at the painting and deciding how I wanted to create the leaves. I finally settled on a paste paper that I copper leafed on one side, painted on the other. I used tracing paper so the copper leaf would show through and tone the yellow. This produced a fairly accurate representation of birch leaves in Fall. Then the issue was where to place the leaves and how many wouldn't be too many. Did they distract or benefit the painting? Branches were never where I needed them and I knew I should've added the leaf placement to the original drawing. Dang! Ah well, a Chinese white pencil and a violet Prismacolor Verithin solved the problem. Cutting those teeny, tiny leaves was a chore, as was using tweezers to handle them. I think it was worth the effort and time, though. I'm pretty happy with it. :) The final size is approx. 6 1/2" x 29".
Work in progress

Thursday, October 23, 2014

Silverbark at Sundown ~ WIP 2



Many glazes later...many, many glazes later, I finally started work on the markings on the birch trunks. I love the distinctive 'eyes' they display and am surprised so few artists that paint birch trees fail to include them in their paintings. The trunks will receive more washes of color...red violets, yellow and cerulean blue. I plan to use cut paper collage to add the leaves when the paint work is complete. Birch leaves turn yellow in Fall so I need to make my own yellow paste papers to order. Then plenty of cutting and pasting is in my future.

Tuesday, October 21, 2014

Silverbark at Sundown ~ sketch and wip 1



This is the beginning of my latest project. It's another birch painting done with acrylic on 140# Fabriano HP w/c paper. I have a few stands of Silverbark birch across the drive from my home so I have plenty of reference material right outside my front windows. I plan to use the palette from my color study (see previous post). This painting will be much larger, approx. 6 1/2" x 29". An odd size but I've always wanted to do a long and very narrow format because I love the look. I've been waiting for a sunny day to forge ahead and that day has arrived. It's been so terribly gloomy lately that I've left lights on all day long. Not ideal conditions to create subtle color variations.

Side note: After painting 'The Rusty Gate Post' I contacted the photographer responsible for my reference image. I wanted to know more about this gate and he gave me enough information to locate the gate on Google Map. It resides outside a charming little B & B in the UK. Here's the Coach House B &B (link) on A413 Brackley Road, Silverstone, United Kingdom. Seems I guessed the wrong finial. Ah, well....


Monday, October 13, 2014

Autumn Scene ~ color study (acrylic)



Here is my painted color study, just completed. It's small, roughly 5" x 13". I decided to use tube acrylic because acrylics can be more forgiving than watercolor and I wanted the freedom to change things up should I want to switch colors. I just may paint the final piece using acrylics!

I began by using the acrylic paint like watercolor and gave the entire paper surface a Yellow Cad. Light wash, including the birch trunks. I switched to Cad. Red Light, which is actually orange, and added a light wash while the yellow was still wet. I've never been happy with any tube orange but decided not to sweat the small stuff just yet. I knew I could adjust things later. I didn't bother masking the lower leaves for this study either. I just wanted to see how my chosen colors worked together. Once the yellow and orange were dry I mixed Deep Violet and UB to create various degrees of red and blue violet and laid in my darker values. Then it was all a matter of tweaking. At one point I was afraid I had gone too dark on the birch trunks but as I kept going it all began to work. Birch bark is so white it reflects color well, even in shadow...especially in shadow...which provided an excellent opportunity to bring some excitement to the trunks. I completed the leaves using mostly yellow and violet but hit a snag when I added Cerulean blue, my 'pop' color. Full strength it looked awful but mixed with a little white to soften it, it worked very well. I added the pale Cerulean to the background, some of the leaves and both tree trunks. To complete the study I toned the orange areas with a light wash of deep violet, very diluted. 

Saturday, October 11, 2014

Autumn Scene ~ color study



Autumn Scene is a temporary working title until I see how this goes. I just completed this color study with Prismacolor colored pencils on a thumbnail sketch, roughly 4 1/2" x 1 1/2".  I want it to be full of vibrant, unexpected Fall colors and blowing leaves. Lots of windswept action. I'm using a double complimentary palette here...yellows and violets with oranges and blues. Because these colors (yellows/oranges) and (violets/blues) are analogous, it should work. I want one 'pop' color. Not quite sure what that will be yet. Possibly turquoise or teal. Something blue-ish and vibrant.      

Monday, October 06, 2014

Rusty Gate Post ~ complete?



Hi! Remember me? Well, here's my rusty gate. I'm happy with the gate but got stuck on the background which threw me into a sort of paralysis. I hate when that happens. It's like I can't move on until I solve this problem or the world will end. Crazy, huh? I'm still not happy with the background but it's time to post this 'as is' so I can start something new. This piece will land on the 'complete?' pile along with a few others that never quite made the grade.

To be more specific, I was very happy that I was able to make the chipped paint on the fence posts, which I hand painted, mesh with the egg shell paint chips on the actual gate post. After attempting some sort of background there was a noticeable disconnect between the gate and BG additions. But what to do? The gate is so busy I felt the background needed to be understated so as not to compete so I didn't think I could add any collage material to the tree trunk. Did I even need a tree trunk? What else would I put there? I don't know! The solution is probably simple and right before my eyes but I've looked too long at this to see it objectively anymore. Time for a time out.

Reference photo courtesy of ESP on PMP  

Thursday, September 25, 2014

Rusty Gate Post ~ WIP 3



More work done on this piece. So far it's been figuring out how to recreate the look of many layers of peeling paint and rust without spending a ridiculous amount of time on fiddly detail work. I've added more cracked egg shells but think I've reached the limit of that on the actual post. I will probably add egg shells to the fence posts, though. I've also got some ideas for a finer cracked paint texture for smaller areas. I toned down the blue cast in the background. It doesn't show up much in the image but I have been laying in some foliage growth behind the gate post. I'll be adding more after the post in complete.    

Tuesday, September 23, 2014

Rusty Gate Post ~ WIP (mixed media)




I developed a small case of artist's block and not even Crabby Cat could rescue me. He's still in the sketch stage where I left him in my last post. I detest that funky feeling when nothing seems to inspire me. In desperation I began going through my reference photos and kept coming back to an image I found on PMP. It was a rusty, ornate gate post and I loved all the wonderful colors and textures but had no idea how to go about painting it. Finally it was time to try. This is a mixture of acrylic paint, collage paper, egg shells and God knows what else before it's complete. It's a project that will keep me occupied for quite some time as I figure out how to recreate all that wonderful chipping paint and patina.

Saturday, September 13, 2014

Crabby Cat is Back

Scary enough?

The first two Crabby Cats

After several inking failures I've been having myself a pout...a regular crabby cat, if you will. What better way to break the gridlock than creating another Crabby Cat. Since Halloween is the next holiday I've been doodling up an idea for the occasion. Just a sketch so far. Thoughts anyone?

Sunday, September 07, 2014

Alcohol Ink & Collage



I created a background with alcohol ink on Yupo, then added a small stacked paper collage of amate and Lokta paper with a photo image on top much like the cherry on top a parfait. I selected a photo I took of my Spring anemones, cropped a single blossom from the bunch, greyscaled it and printed it out on photo paper. Then I went over the image with more alcohol ink to tone it. I would've gotten more daring if my format wasn't so small (3 1/2" x 5 1/2") but I didn't want to cover the background completely. I wish the scanner would've captured the colors better but photos turned out much worse. This is really more of a color story than anything else.   

Friday, September 05, 2014

Revisiting Alcohol Ink on Copper Leaf



I tried the same method on copper Simple Leaf (see prior post)and was very happy with my results. The gel gloss medium works perfectly as a buffer between the leafing and the alcohol ink. I can also chose to add some texture if I wish while applying the gel medium. Various brush strokes, the edge of a credit card...anything that will create some added interest. I still have to take care not to get too rough but things are much more workable now. Waiting for the gel medium to dry before applying the inks...well, with the humidity we have right now, it's a wait but well worth it. 

Wednesday, September 03, 2014

Alcohol Ink on Silver Leaf


With gel medium, 2014. I wish I could capture the colors in the sky better. It looks like sheet metal that has been treated with a torch. 
Without gel medium, 2013. The shooting star was added to conceal all the scratches.

I do believe I've solved the problem of working on silver leaf with alcohol ink. Last summer I created an ink painting on silver Simple Leaf applied to Yupo but it scratched so easily I was forced to toss it in the bin. I did get one scan of that painting I don't think I shared on my blog so I will today. Yesterday I gave it another go but this time I applied a coat of Liquitex gloss gel medium and allowed it to dry before adding any ink. I was thrilled the leaf now withstood quite a beating which included multiple layers of ink and blending solution plus some manipulation with a tool. The gel medium formed a protective buffer 'tween me and it with nary a scratch in sight. FYI, I don't recommend using Pearl mixative on silver leaf, though. It produced a rather flat, 'dirty' look I don't like at all.  

Sunday, August 31, 2014

Saturday, August 30, 2014

Happy Patron



It's always wonderful to see one of my art patrons so happy with a piece of my artwork...in this case,  my best friend who has supported me from the start. She loved my ink paintings, House on Thistle Downs Drive and The Timekeeper's Cottage , so much so that she bought them both. She also purchased Ladies on a Park Bench , which I painted with my homemade walnut ink. For her birthday this past winter I made her a card using a similar style and the same walnut ink. It depicts us both on a park bench where I have just presented her with a birthday cake, candles blazing and all. Today she came to visit and showed me the paintings. Two that were matted and awaiting frames and one already framed. I was most impressed that she had combined the two walnut ink paintings into one format. Clever gal! I hope you enjoy them all for a very long time, Betsy. Love you!