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Showing posts with label storyboard. Show all posts
Showing posts with label storyboard. Show all posts

Sunday, July 03, 2016

Trilliums Again

A portion of the transfer
Portion #2

This is the final sketch.



Storyboarding...this is a method I employ using individual drawings on tracing paper and arranging them to create a pleasing composition. It works great and I'm too cheap to buy another version of Adobe Elements.


This time I'm putting a new spin on things. This style is new to me and I'm not sure how it will turn out but why let that stop me, huh? I've put down a coat of acrylic gesso on matboard to add an element of texture, let that dry and then painted the surface with black acrylic paint. I transferred my drawing with white transfer paper and things are now ready for color. I plan to use a palette of soft greens and blues but that may change depending on how it's looking in process. Wish me luck!

Thursday, September 05, 2013

Clowder of Cats ~ composition


I'm currently working on the comp for a new painting. I'm doing it with my usual storyboard technique. Seems there are a few issues to work out such as certain subjects 'kissing'(meaning: barely touching) that don't work for me. I do like the loose, diagonal 'S' flow, though.

Friday, September 21, 2012

Precious ~ WIP 1 (commission)






I know I've been absent for awhile now. No new posts in quite some time but I have been busy. I recently received an unusual request for a family portrait. My client wished to have a painting done of 8 women in her family as little girls, partaking in an outdoor tea party. She had no reference photos of sufficient quality to use so I would have to find my own, guided by her descriptions only. Sound like a fool's undertaking? Not really. I was so touched by the story she shared with me regarding her family that I saw this as a worthwhile challenge.

At first I didn't really know where to begin. After going back and forth with her via email an image started forming in my head and I did a very rough sketch on notepad paper with ballpoint pen and sent it to her. She loved it! Now to find my images. This has been the true challenge. I'm looking primarily for children in the correct poses. Many I found with the perfect pose but wrong age or wrong sex, wrong hair style, etc. Surprisingly it hasn't been too hard to turn a 3 year old into a 6-7 year old with very little adjustment and without losing the original pose. Turning a little boy into a little girl hasn't proved that hard either and the hair style changes are easy. Not all poses are exactly as the original sketch but I think things will work out alright. I'm doing this storyboard style, pinning up each child separately on a board in the proper position as I go along.  This will allow me to move, rearrange and enlarge or reduce the size of each little girl as I put this composition together.

There's a lot of work left to do but I wanted to post an update. I'm posting the original sketch and the storyboard as it looks at present.

Wednesday, August 08, 2012

Wreck of the Good Ship Rhino & a Shag ~ WIP



Inspired by the work of Yuri Laptev, I recently visited Paint My Photo (link) to gather some ideas. I haven't been on this site for ages and was amazed at the quantity and quality of photographs in their gallery. Over 1600 images, all copyright free. I found a wonderful image of a rhino, resting in a zoo enclosure, and saved it to my on-site 'favorites'. Later I stumbled onto another image of a beached fishing boat, falling into decay. The overall shape and angle of incline reminded me of the rhino. I did a tracing of the boat, then overlaid that onto the rhino image and they meshed perfectly. An idea was beginning to form. I added the cormorant later. Whenever I include a new 'critter' in my artwork I like to learn a little bit about it first. Googling revealed that the slang term for a cormorant is a shag. Cool!

I'm now in the process of creating what I like to call a storyboard. Whenever I create a piece from multiple images I like to work on tracing paper. Each element is drawn or traced onto separate scraps of paper so they can be moved/removed and adjusted into various compositions on a board. Because the tracing paper is transluscent every layer is always visible. An example of this process can be seen in the WIP Cawcus (link) , a painting I completed last year. I'm currently jotting down more ideas for this project in a small notebook as they come to me. It should be fun to see this evolve and what comes of it.