The Importance of Play

In the wee hours of the morning I was enjoying the cool and suddenly felt the creative urge stirring. I didn't have anything ready to roll so I decided to play. I got out granulation medium, a Micron pen, acrylic gesso and walnut ink. I use styrofoam disposable plates for palettes and, when the bits of leftover paint dry, I stack them and keep them handy. I sorted through the lot and chose my colors. Then I played. I found out what granulation medium does when poured onto wet watercolor and/or walnut ink. I also discovered what amazing textures are created when you mix gesso into wet watercolor and granulation medium. I painted a loon! I finished the session off by painting part of a field stone wall. Most importantly, I learned! Just by taking a half hour to simply play I now have a few more tricks in my arsenal as I move forward. Don't ever underestimate the power of play. There's no pressure. Let the creative juices flow and enjoy yourself. Isn't that what it's really all about?   

Experiment ~ acrylic gesso and gloss gel medium on matboard

...and finished with Ranger alcohol ink. I've wanted to give this a try to see if it would work and I'd say it was successful. I used a dried bloom of a large ornamental grass and embedded it with Liquitex acrylic gesso onto 3/16" white matboard. I've done this before with dried oak leaves (link) . I then gave it a coat of Liquitex Gloss Gel medium diluted with a little water. When that was dry I rubbed walnut ink over the entire surface and wiped away the excess. The walnut ink ran into all the nooks and crannies and gave the piece an antiqued look. I could've stopped there but I wanted to see how Ranger ink behaved on the gloss medium so when that was dry I gave this another light coat of gloss medium. It served to preserve the effects of the walnut ink and gave me a slick surface to apply the alcohol ink. Then I added the ink and found it moved well on the gloss surface. I had a bit more control than on Yupo but the effects were basically the same. I used Ranger's Caramel, Clover and Copper mixative.

Dragonflies on Canvas~WIP

This project seems to defy photographing. Everywhere light strikes an area of high texture it shows up as a white spot and the colors are nowhere near as garish as they appear but I did my best.

Jerry's Artarama ran a sale not long ago on pre-stretched, pre-primed canvases so I bought six 9" x 12" canvases with the intention of mounting and varnishing some of my watercolor paintings on them. There they sat, in the box they came in because I have no supplies to complete the job. A few days ago I decided to try my hand at coating one of these canvases with gesso and painting something with fluid acrylics. I protected my main subjects (the dragonflies) with masking fluid and just started painting...mostly amorphous, vaguely leaf and grass-like shapes and applying color with no thought of realism or 'sense' to placement of color. I'm ready now to remove the masking and complete the 'flies.

Pat's Sunflower~center reworked

This painting won't be going to market but I've sure had some fun with it. I used white acrylic gesso and dabbed it on the center of the flower with a small brush. My goal was to recover all the texture I lost in the first go-around. Today I went over the gesso with color. I didn't follow the reference too closely, instead putting various colors wherever I thought they looked good to me. I used a mixture of watercolor and fluid acrylic this time but stayed with the original palette. I truly like the results and would do this again, the next time a little wiser for my trouble.

My Sunflowers~ WIP & Completion

Step 4) Completion. I've added more gouache, some colored pencil including the gold metallic for accent and tweaked this as much as I dare. I see things I'd like to change or adjust a little, some of the foliage became a little muddy for my taste but overall I say "mission accomplished".

Step 3) Here I've begun working on values and color temperature with repeated glazes. I've also added some toned gouache in a few spots.

Step 2) The frisket film has been removed and I've started painting the flowers. At this point I'm just trying to put some paint down and get my bearings. I'm working in transparent watercolor only at this stage.

Step 1) I prepped 140# Fabriano HP w/c paper by applying frisket film and cutting around my subjects with an Exacto knife. Afterward I added some gesso to the background area but didn't cover the entire background. I mixed one container of plain Phthalo blue fluid acrylic (diluted w/water), another with Hookers green fluid acrylic (diluted)and a third with a mixture of both the Phthalo and the Hookers, also diluted. I then proceeded to pour paint. Pouring paint is always a mess but Phthalos take it to a whole new level. I had Phthalo blue fingernails for three days.

Sorry to be so late in posting an update but I lost most of my internet connection last Tuesday, the 27th due to circumstances out of my control. It was finally restored this afternoon to working order. Apparently the underground cable is in need of replacing which was causing my signal interruptions but the engineer sent from my provider managed to get me up and running for the time being.

I'm posting a WIP along with the finished painting. This version was basically a dry run for the main event and is only 15" x 9". I kept to the palette in my last post and I like it! There's a few things I will probably adjust on the final painting but overall I'm pleased with my results.

Japanese Irises~Completed

SOLD

I've been fiddlin' around with this one waaaaay too long to be objective anymore so I'm calling it done, at least for now. I've included a long shot(some tape is showing...sorry, camera distortion), a closeup and the piece framed with the mat & frame that I intend to use. I did a lot of fine tuning, both with color and cleaning up rough edges. That's another thing I like about working on gesso. I used masking fluid on the irises and I can never get a nice sharp tip or corner with that stuff. I used a very sharp exacto knife to gently scrape away the surface paint(be very, very careful if you try this) and managed to get perfect points on those little top petals.

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My oldest son has requested that I paint some frogs for him so that will probably be my next mission. Ribbit!

Lily-of-the-Valley on Gessoed Paper

I guess this one IS done. I just sold it!

I wanted to try gesso on watercolor paper for the simple reasons that I have more paper than mountboard, I have more options regarding size and if I happen to create a painting I'm truly satisfied with, it'll be easier to frame.

This particular painting may still be a work in progress. I haven't decided yet. However, I did discover a few things while working on gesso.

1. Artists tape coated with gesso will still release easily.

2. Masking fluid can be used on gesso.

3. Two coats of Krylon fixative will reduce the lifting problem.

This painting is done on Arches 140# HP watercolor paper coated with Liquitex gesso. I had no subject in mind when I applied the gesso and have decided I really should decide on a subject and composition beforehand.