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Showing posts with label black walnut ink. Show all posts
Showing posts with label black walnut ink. Show all posts

Sunday, December 11, 2016

Christmas Bird ~ mixed media



This is my rendition of a Christmas bird. Trust me, it's one of a kind. I tried several ideas out on this little birdie while in the process. For instance, I added quilted fabric to his body. I found an old pillow sham which was sacrificed for the cause. Also I dipped into my vast collection of bird feathers and used those to embellish the breast. I created a makeshift piping bag from a plastic storage bag and piped the branch with modeling paste. I used my waxed paper faux batik technique to make the leaves and the tail and wing feathers. Walnut ink was used to tone the waxed paper rather than India ink and the background was also toned with walnut ink. Hope you like. I like it.

Saturday, May 05, 2012

Goldfish ~ Oriental Style

I've been browsing through Youtube looking at Japanese and Chinese painters in action. Some very incredible work going on over there! The style is so simple but so effective. There's a real art to keeping things simple. Every line means something and not a one is wasted.




Watching these artists, I was inspired to try my hand at goldfish. I know I keep saying I would love to paint fish but never seem to make it happen. Well, today I painted goldfish. I'm still working in a small format so this one went quick. Little space forced me to keep the detail to a minimum. This is mostly walnut ink with a bit of gouache and transparent watercolor here & there. I actually cropped the painting to include the Chinese word for 'goldfish' in the finished piece but my photo editor would not recognize the symbols. I finally just added it in English.

Tuesday, April 10, 2012

Walnut Ink ~ Small Works





I did something I've never done before. I ordered a couple of packs of 8" x 10" pre-cut mats and mountboard and painted to fit the mat openings. I usually work the other way around. I also ordered the mats in black (I don't normally use black mats). I don't usually work this small either but I found a bag of 8" x 10" acetate sleeves I must have ordered a long time ago and wanted to use them up.
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I played with my walnut ink, my metallic acrylics, gouache and torn paper collage. I dipped evergreen sprigs in masking fluid, I poured, I mixed walnut ink with the acrylics (with some interesting results) and generally played "I wonder what would happen if...". Some of my results were better than others but I'm going to post them all anyway.

Tuesday, March 27, 2012

Dead Leaves & Walnut Ink

4/1/2012
I did a little tweaking. I warmed this up with a wash of Quin. gold deep and added some Lumiere Super Copper fluid acrylic.
It's now titled 'Fall-en'

I got out my homemade walnut ink yesterday and some dry leaves I had saved from last Fall. I coated the back of the leaves with masking fluid, then using the mask coated leaves as stamps, I pressed them onto my paper. I had to work fast or the leaves would stick. After the masking was dry, I did my first pour. Next I removed the first masking, did another stamping and then another pour. When the last of the mask was removed I added some phthalo turquoise watercolor and gold metallic fluid acrylic. The result is a bit on the abstract side but I think it evokes a feeling of dry forest floor, possibly tree bark. Anyway, I like it!

Thursday, December 01, 2011

Ladies on a Park Bench #I


SOLD

I hope everyone of my visitors that celebrate Thanksgiving had a great holiday. Mine was kind of weird this year and Christmas looks like it's stacking up to be the same. I did finally get one version of my 'Ladies on a Park Bench' finished, though.


After tranferring my drawing onto 90# Fabriano CP w/c paper and saving the areas I wanted left white with Pebeo drawing gum (love that stuff) I applied a thin wash of walnut ink over all. I then added more ink at the ladies' feet, base of the bench and dog to ground the whole scene a bit. I used subsequent washes of ink on the bench and was very happy to see the darker tones and richness of color my homemade walnut ink produced. I had some real fun painting the hair, jewelry, etc. with my Jacquard Lumiere metallic acrylics. When all the painting was completed I went over all my lines with an 05 Micron pen. The ladies needed some blush on their cheeks and lips so I mixed up a concoction of red and orange soft pastel and applied that with a Q-tip. Voila!

Friday, November 11, 2011

Homemade Black Walnut Ink ~ Completed

To give an idea of the color I've used my ink on a scrap of 140# watercolor paper to achieve an aged effect by toning the paper and applying a heavier wash around the deckle edge. I'm very happy with the results and find this ink very easy to work with. I did a small still life of an acorn and oak leaf last night but it was too rushed so I plan to re-do it before posting.


The finished ink waiting for a drop or two of clove oil to help preserve it. I will also have to cover the jars to block out any light or replace with tinted glass containers. Walnut ink should be protected from direct light.


I decided to go with coffee filters to strain my ink. I felt the filters would do the best job removing any unwanted sediment. Once the liquid was strained from the husks it still contained a lot of 'sludge' so I left it to drain all night to get every bit of useable ink possible.


Mold forming on the top of the ink. It didn't show up until 3 weeks into the steeping process and was easily removed.
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My ink is finally ready for it's debut. I let it steep for a little over a month, scraping mold from only one jar twice. The second jar of ink did not produce any mold at all. I noticed no foul smell during the process from either jar. The ink has maintained it's original earthy aroma which is ok by me and the resulting ink is a beautiful warm shade of sepia.

After separating the husks from the liquid I wound up with barely two cups of finished ink. My steeping jars held slightly less than a quart each and the husks took up half the space in each jar to give a rough idea of what amount of ink can be expected. In hindsight I wish I had put the removed husks in cheesecloth and wrung out more liquid. Instead I arranged them on newspaper and paper towel to drain, then double bagged them in ziploc baggies and put them in the freezer for storage. I hope to thaw them at a later date and see if I can make more ink using these same husks.

Monday, October 10, 2011

Homemade Black Walnut Ink (continued)

The waiting begins. My ink may be ready to strain by Halloween, possibly the week after.

Boiled husks with liquid.

Rusty old screws and washers to produce that iron tannate in the ink.

Clean jars waiting to be filled, rubber gloves handy.

A boiling pot of walnut husks. The aroma is a not unpleasant earthly scent. I'm sure my house will smell of hot walnut husks for days to come.

The task of boiling the walnut husks and pouring the resultant 'soup' into my jars wasn't nearly as messy as I had feared. I did have a small boil over so I cut the heat back and let the husks simmer for 30 minutes..an extra 10 mins. for good measure. I sacrificed an old teflon pot for the cause, also a wooden spoon which came in handy to prevent another boil over. I then used a small coffee cup as a ladle to get my soup from pot to jar. Paper towels are another thing I'd recommend having handy for splashes and spills.

I wanted to understand the part rust plays in the ink making process so I began another online search. Rusted iron combines with the tannins in the husks to produce iron tannate which is black. As walnut ink is a sepia color I understood this to mean it will create more depth of color. I also found more recipes for walnut ink, some producing faster results than the instructions I've posted but requiring more cook time. Some recipes called for an all day(or longer) boil. Some called for skipping the shelling process and boiling the whole nut, husk and all. I'll post links to a few walnut ink making instructions I found interesting:

Walnut Ink Instructions 2

Walnut Ink Instructions 3

Sunday, October 09, 2011

Homemade Black Walnut Ink ~ Instructions



When one of the members of my garden forum posted a photo of his black walnut harvest in progress I thought it would be fun to try making my own walnut ink and instructions online are not difficult to find. At my request this member kindly sent me a gallon size ziploc full of black walnut husks. He had already completed the really hard and messy job of removing the nuts from their husks(walnut husks are terribly staining). When the husks arrived some were still green so I set them out on my deck in the sun on newspaper to thoroughly dry and finish turning black. If you're interested in trying this squirrels can do the husking for you! As I understand it, squirrels will husk the nuts and store only the nutmeats in their shells leaving those precious husks under the tree, free for the taking.

Ingredients:

1.) Black walnut husks

2.) Gloves!

3.) Two glass jars

4.) Some rusty nails or other rusty material that will fit in your jars.

5.) Fine mesh cheesecloth or muslin.

6.) A cookpot to boil the husks.

7.) Clove oil (can be purchased from a pharmacy).

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Instructions:

Step 1) Procure your husks. You need only the outer husks, not the shells or the nuts themselves. If you are doing your own shelling wear gloves...please!

Step 2) You will need a few rusty nails or other rusty material that will fit in your jar. This will help cause a chemical reaction in the ink making process.

Step 3) Crunch the husks as best as you can. I plan to do this step by putting the husks in a clean ziploc and tapping the bag gently with a hammer or meat mallet. Put them in a pan with an equal amount of water (a good guess here is fine) and boil them for about 20 minutes, just long enough for them to start to break down. Let them cool a bit.

Step 4) Put your 'yummy stuff' in a glass jar with a couple of rusty pieces of iron and seal it up. Glass is inert and wont add anything to your mix, unlike some plastics and other metals. Now the waiting begins. This lovely stuff needs to ferment. Open it in a week (oh, you should do that outside. It’s stinky.) and scrape off the mold. Close it back up again and let it sit. Do this for another 4 weeks.

Step 5) Now you strain it. A piece of fine meshed cheese cloth(or several layers of regular cheesecloth), or muslin works great for this. Cut a piece off and with a rubber band put it over the top of another jar (recycled mayonnaise or pickle jars work great for this. I'll be using spaghetti sauce jars.) Push it in a bit with your finger to make a little depression or bowl. Slowly pour in your mix, scraping off the husks and depositing them in another bowl. You can use them twice, so go ahead and keep them!

Step 6) The best storage for your ink is something that doesn’t let in light. Ceramic or naturally tinted glass is great. UV light will break down the plant material in your ink. As a preservative, add some clove oil, just a couple of drops, and your ink will last for over a year. It should be a shade of brown. Let it sit out in the air to evaporate the water to get a darker shade, or add water to get a lighter shade. It makes a fairly permanent stain on paper, and is great for drawing or calligraphy. The same stuff can be used to dye fabric.

I just got my supplies together today so my results won't be ready for another 1 1/2 -2 months. I will be posting updates on my progress.

Source: http://www.bukisa.com/articles/237375_how-to-make-walnut-ink