Sexy Sixty Somethin's ~ mixed media

Watercolor, marker and cut paper collage on w/c paper

My best friend's 65th birthday is nearing and I wanted to create a special card that would give her a laugh. She's had a rough few months. In September she had a stroke that left her paralyzed on the right side and affected her speech. Bad enough for anyone but especially for her as she loves to be on the go-go-go. Her speech has come back and this past week she took her first steps with a walker. At the rate she's now recovering I wouldn't be surprised to see her walking without the walker very soon. We've been friends since the 4th grade and we'll both be 65 very soon hence the title.

Evergreen ~ collage (complete)

With so many metallics involved, this collage was difficult to photograph. I had to resort to using the flash on my camera to pick up the green hues which, in turn, blew out other colors. I'm afraid this is the best image I'm going to get and the closest to reality.

It has occurred to me that summer is coming to an end soon. Colder temps mean closed windows so I'd better get out the alcohol inks and get painting before that happens. Proper ventilation when using these inks is a must because of my COPD. I do miss ink painting and I can and will return to collage during the winter months. In the mean time I'm having a ball sourcing/creating decorative papers, stamps and discovering techniques that I can apply to this new (to me) art form.  

First Collage & Impression Lifting (How To)

I've been busy making paste papers these days. Not only does black Artagain work but Stonehenge kraft paper as well. I coated a piece of kraft paper with Liquitex gloss medium, let dry, then applied alcohol ink and blending solution. The inks moved very well on the surface, similar to Yupo. A particular piece of inked kraft paper inspired a landscape collage. The first collage I've been fairly happy with after many disasters. I'm not sure why I struggle with this art form so much. I believe I over think it. Whatever the problem, I'm determined to overcome. In this case I brought all my problems to bear and sorted them out on a single piece of 5" x 7" paper...ie. landscapes, collage and my latest focus, color theory. It's a conglomeration of paste papers, yellowed newspaper, a catalog image, colored pencil and acrylic paint. I threw a mat on it and scanned it. Sorry for the dirty looking mat. That's alcohol ink that has become a permanent part of my scanner bed. :(

I'd like to share another technique I tried today...impression lifting aka photo transfer. I printed out an image on glossy paper, then applied a thick coat of acrylic gel gloss medium over the image. I allowed it to dry thoroughly, then soaked it in warm water for a few minutes. Once the paper looked completely saturated I turned the image face down and used a damp paper towel to gently rub away the backing paper from the actual image which had now become 'one' with the acrylic medium. It's a bit of a mess but it went fairly fast. The result is a semi-transparent image that can be adhered to another surface, in this case, kraft paper. Note: If you give this a go be sure to take care in handling the image after the backing paper has been removed. The image will be a little stretchy and delicate. 

Homemade Paste Papers

I created these four papers with Lumiere light body metallic acrylic on black Artagain paper

Although I've been studying my Quiller color wheel and painting every day, nothing worth posting has been produced. To say I'm frustrated would be putting it mildly but I will persevere. In the meantime I've ordered a small set of tube acrylics which were on sale(!) but haven't arrived yet. I'm using that as an excuse to purposely sidetrack myself.

A good friend of mine was downsizing her library of art instruction books and sent me a book written by Susan Pickering Rothamel. It's titled The Art of Paper Collage . Yes, collage...another art form that has sent me screaming. Today I needed a break from landscapes so I tried Rothamel's idea of creating homemade paste papers, those decorative and very seductive papers(I know you've seen them in catalogs and drooled)that can be so pricey if purchased ready made. She suggested putting down a layer of acrylic medium or other gloss adhesive on paper to stop absorption. Let dry, then go over the surface with acrylics or dry pigment mixed with gloss medium. Before the paint dries add texture with stamps, combs or other tools. Another layer of medium can be applied and various embellishments can be included as well. One is only limited by their imagination and wealth of supplies.

Note: I follow Elizabeth Nelson (Paper Paintings Collage Artwork) on Facebook. She mentioned the wisdom of making your own decorative papers. Not all ready made and exotic papers are acid free or lightfast. Creating your own papers guarantees they are archival and also provides endless color and design choices.

Walnut Ink ~ Small Works

I did something I've never done before. I ordered a couple of packs of 8" x 10" pre-cut mats and mountboard and painted to fit the mat openings. I usually work the other way around. I also ordered the mats in black (I don't normally use black mats). I don't usually work this small either but I found a bag of 8" x 10" acetate sleeves I must have ordered a long time ago and wanted to use them up.

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I played with my walnut ink, my metallic acrylics, gouache and torn paper collage. I dipped evergreen sprigs in masking fluid, I poured, I mixed walnut ink with the acrylics (with some interesting results) and generally played "I wonder what would happen if...". Some of my results were better than others but I'm going to post them all anyway.

Dead Leaves & Walnut Ink

4/1/2012

I did a little tweaking. I warmed this up with a wash of Quin. gold deep and added some Lumiere Super Copper fluid acrylic.

It's now titled 'Fall-en'

I got out my homemade walnut ink yesterday and some dry leaves I had saved from last Fall. I coated the back of the leaves with masking fluid, then using the mask coated leaves as stamps, I pressed them onto my paper. I had to work fast or the leaves would stick. After the masking was dry, I did my first pour. Next I removed the first masking, did another stamping and then another pour. When the last of the mask was removed I added some phthalo turquoise watercolor and gold metallic fluid acrylic. The result is a bit on the abstract side but I think it evokes a feeling of dry forest floor, possibly tree bark. Anyway, I like it!

Daisytown Peepers

I thought I'd post a quick update to keep things moving and to plug a product. Today I took a couple of closeups of my Daisytown frogs. I'm using a new(new to me)product, Lumiere by Jacquard. Lumiere is a light body acrylic paint similar to fluid acrylics although this paint offers more application options. Here I've used it as watercolor, applying it undiluted over a damp glaze of DS green gold and DR Vivid green. The color I chose was Halo Blue Gold, a mixture of pearlescent blue, green and metallic gold. I love metallics but I know how easy it is to over-do them. In this case they worked perfectly to make these frogs stand out. The gold shimmer makes these peepers look wet and sun kissed.