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Monday, September 14, 2015

I'm Back with a Work in Progress


This past April my COPD flared up which landed me in hospital for the better part of a week. This flare was a real doozy and it was August before I felt human again. During my recovery I found out I now have severe arthritis in my spine so pain management became an issue. Things are looking up at last and I think I've found my art groove once again.

I've decided to start out where I left off this past March ( has it really been 6 months?!) and finish up these kitties. So far this is collage, acrylic, gel medium and crayon on Yupo. I love working with collage on Yupo. No buckling which is a huge bonus. My current working title is 'Lunch Rush at Chez Dumpsta'.

Sunday, March 29, 2015

Whales, Snails and Puppy Dogs



When I titled this I thought I was channeling that old rhyme, "What are little boys made of ?".  "Whales, snails and puppy dog tails". Apparently it goes, "Snips and snails and puppy dog tails". I also discovered a snip is a type of eel. Who knew?! Anyway, when I chose the collage papers for the base of this piece I hadn't done my fact checking yet so it is what it is.

I also discovered what a mess I can make with gel medium and collage paper. I managed to ruin another fleece shirt too but I'm still happy with my results. This is not a great image but I did my best. The colors are a little off but close. I wound up using collage papers, matte and gloss gel medium, Sharpie pen and acrylic paint, all on 174# Yupo. It was fun, enough fun that I'm on to another.  

Yup, cats are next.

Thursday, March 26, 2015

Lots of Puppies



Paul Kemp posted the cutest photo of a litter of puppies on PMP. So cute it knocked me out of my current funk and got me back on track. I took up an 8B pencil and did this line drawing the other day. You know the method...all one continuous line without raising your pencil. I made it....mostly. I did back track a little to add a missing paw, etc. The whole thing took me all of 10 minutes and I liked the result. Now what to do next. I think I'm going to try laying down some collage papers on Yupo, then do another continuous line drawing in ink over top. I may get some acrylic into the act, too. Lots of possibilities and at least I have a direction now. 

Sunday, February 22, 2015

Playing in GIMP



I was playing in GIMP today and came up with these digitally enhanced images, in this case a photo I took of cherry blossoms a few years ago. Same image, different enhancements. GIMP (link) is a free photo editor available online and has far more features than Irfanview (link) which is also free. GIMP is much more complicated so occasionally I open it and just play. There are many tutorials online but my eyes tend to glaze over when I try to read the instructions. I'm a visual learner and wish there were video instructions out there instead. Maybe there is! Come to think of it, I've never checked!

Tuesday, February 10, 2015

Kitty Kocktail ~ complete



I finished this one up this morning. It sat staring at me with those big soulful eyes so I had to finish it. I didn't do much actually. Just a bit here and there. Some reflections in the granite countertop, adjusted some values, darkened the tile backsplash, etc. A lot of little fiddles.

Monday, February 09, 2015

Kitty Kocktail ~ WIP 2



I had hopes this was complete but I see some things that need a tweak or two. When I first saw the image on my PC screen I thought I had gotten my grout lines in the background crooked. Turned out to be camera distortion thankfully. I think I may have breathed in enough pastel dust for awhile so I'll fiddle with this just a little bit each day until I'm satisfied and post the final end of the week.

Sunday, February 08, 2015

Pigments of Your Imagination ~ the book



Back in February of 2013 I was contacted by Cathy Taylor (link)who I met on Facebook via an alcohol artists inking group. She was planning on self publishing a book featuring a variety of techniques employing this medium and wanted to know if I would like to be among the artistic contributors. Sure! How exciting and what a great way to have my work published. I was both flattered and honored.

Cathy stayed in touch with all the ink artists by email and in June announced that Schiffer Publications had picked up the book. Of course we were all over the Moon for Cathy but a lot of work still lay ahead for her. Long story short, after much work, stress and a few delays the book, Pigments of Your Imagination (link)is now available on Amazon. Yesterday I received my complimentary copy and I have to say, all Cathy's work was well worth it. Schiffer did a wonderful job with the book, too. The book is a nice size, roughly 8" x 9", and the pages are heavy weight glossy paper held together with a spiral binder so the book can be opened and lay flat. My waxed paper faux batik technique (link)is featured in one of the chapters and several of my ink paintings are in the gallery section. I believe there are 14 contributors total, each with a unique perspective and some really lovely work. I'd highly recommend this book to anyone considering trying alcohol inks. The instructions are clear with an abundance of photos for guidance.

Pigments of Your Imagination ~ Video review by Jill Berry

Saturday, February 07, 2015

Kitty Kocktail ~ WIP 1



I've finally begun work on this little fella. I decided not to try this in watercolor(I didn't believe I could achieve the soft fuzziness of this kitten) and opted instead for dry media. So far I've used various pastels, Caran D'Ache water soluble crayon and water soluble graphite. I also decided to work on artist quality kraft paper. I love the look of a toned paper with pastel.

Monday, February 02, 2015

February



Sorry I've been MIA for so long. Having lung issues again among other things this winter and I haven't felt at all creative. I'm so tired of opening my blog to see the New Years clipart so I'm posting a couple colored pencil portraits I did about 6-7 years ago. I was asked to join a 5 day challenge on Facebook recently so I dug these out of some old files to honor that challenge. The goal was to post 3 pieces of artwork every day for 5 days. Each day another artist had to be named to do same and so on. It caught on and produced a steady stream of fabulous work in the FB newsfeed which is still running! I enjoyed participating and got to discover some talent I may never have otherwise.  

Wednesday, December 31, 2014

Happy 2015!



Here's wishing all my visitors a Happy New Year and all the best for 2015!

2014 was a mixed bag for me. I'm hoping 2015 will see things improve. I'm leaving you with a photo of the Charlevoix Bridge Drop , an annual event in my hometown to herald in the new year. I think I'll be skipping the festivities this time. It's going to be very cold and windy so I'm staying home, warm and cozy with a nice pepperoni pizza and a good movie.

 Photo Courtesy of Walter Barkley

Wednesday, December 24, 2014

To all my visitors. Thank you for a great year and your support. I hope you are enjoying your holiday.


Tuesday, December 16, 2014

Kitty Kocktail ~ drawing



This project may be beyond my expertise as a painter but I want to give it a go anyway. I've never painted a clear glass anything before but there's always a first time.

I met this adorable little kitten this past September at the hair salon I frequent. One of the hairdressers had rescued him and brought him to work because he needed to be feed every 1-2 hours around the clock. He was so tiny he fit in the palm of my hand and he was such a sweet kitten. The stylist that was caring for him had taken a photo of him in a wine glass and she showed it to me on her cellphone. I never forgot it so when I arrived for another hair appointment last week I asked permission to use the image for a painting. Thankfully she still had the photo and gladly she agreed. I know I've drawn this too small already and need to enlarge it. I'm not known for my steady hand so we'll see how well I do. I may have to paint this more than once to get it right.

Sunday, December 14, 2014

Mama Luv



I just completed my latest cat painting and I'm pretty happy with it. Shame that my blues appear more red violet in places but I was happy to get a halfway decent photo at all today. It's so gloomy.

I saw Karina's image of a mother cat with her kitten on PMP and knew I had to paint it. Shy kitten, protective mother...a short story, if you will. It speaks to a part of the mother and child bond that exists in both the human world and the animal kingdom, but a very important part. To quote Stephen King, "There's no bitch on earth like a mother frightened for her kids.”
 

Monday, December 08, 2014

Little S-Kittles



The title popped into my head while I was finishing this painting and I think it works. It's been almost a month since I updated my blog so I thought I'd paint some kitties and post them. I have another feline painting ready to go, too.

I was inspired by a photo a friend posted on Facebook, Tracy Meadows. Tracy rescued a litter of kittens recently. He said he found them under his porch and the photo he posted was just too darn cute to pass up. I asked him if I could use it and he obliged. The actual kittens are all a smoky grey so I decided to take a lot of liberty with my palette. And this is my favorite palette....golds and violets. I used DS Quin deep gold, DS Quin Burnt scarlet, DS Quin sienna, DS Carbazole Violet and DS Quin Violet. With these colors I can go just as vibrant or neutral as I want with no mud making involved. Hope you like. 

Sunday, November 09, 2014

Liquitex Flexible Modeling Paste ~ product review



I'm always on the lookout for ways to add texture to some of my paintings. Today I experimented with this product and I highly recommend it to artists that prefer to work on paper like myself. It's flexible, as the label states, so it won't crack on flexible surfaces. Up to this point I've been relying on Liquitex gesso to get a degree of texture but there's a lot of moisture in gesso and it takes a long time to dry. Also it's rather runny, causing the paper to buckle, and has to be worked and reworked with a palette knife or other tool to produce an interesting surface. However this product is thick, easy to mold and dries much faster. It's also possible to get a high degree of texture not possible with acrylic gesso. I created this sample floral to see how well the modeling paste accepted watercolor and ink. It behaved very similar to gesso. Paint was pretty easy to lift but I think the surface tended to stain a bit more. If a non porous surface was needed a coat or two of high gloss gel medium over the modeling paste would accomplish that.  

Saturday, November 01, 2014

Silverbark at Sundown ~ complete (acrylic and collage on paper)



I'm going to call this done now. It doesn't look like I've done much since my last post but I spent a lot of time just looking at the painting and deciding how I wanted to create the leaves. I finally settled on a paste paper that I copper leafed on one side, painted on the other. I used tracing paper so the copper leaf would show through and tone the yellow. This produced a fairly accurate representation of birch leaves in Fall. Then the issue was where to place the leaves and how many wouldn't be too many. Did they distract or benefit the painting? Branches were never where I needed them and I knew I should've added the leaf placement to the original drawing. Dang! Ah well, a Chinese white pencil and a violet Prismacolor Verithin solved the problem. Cutting those teeny, tiny leaves was a chore, as was using tweezers to handle them. I think it was worth the effort and time, though. I'm pretty happy with it. :) The final size is approx. 6 1/2" x 29".
Work in progress

Thursday, October 23, 2014

Silverbark at Sundown ~ WIP 2



Many glazes later...many, many glazes later, I finally started work on the markings on the birch trunks. I love the distinctive 'eyes' they display and am surprised so few artists that paint birch trees fail to include them in their paintings. The trunks will receive more washes of color...red violets, yellow and cerulean blue. I plan to use cut paper collage to add the leaves when the paint work is complete. Birch leaves turn yellow in Fall so I need to make my own yellow paste papers to order. Then plenty of cutting and pasting is in my future.

Tuesday, October 21, 2014

Silverbark at Sundown ~ sketch and wip 1



This is the beginning of my latest project. It's another birch painting done with acrylic on 140# Fabriano HP w/c paper. I have a few stands of Silverbark birch across the drive from my home so I have plenty of reference material right outside my front windows. I plan to use the palette from my color study (see previous post). This painting will be much larger, approx. 6 1/2" x 29". An odd size but I've always wanted to do a long and very narrow format because I love the look. I've been waiting for a sunny day to forge ahead and that day has arrived. It's been so terribly gloomy lately that I've left lights on all day long. Not ideal conditions to create subtle color variations.

Side note: After painting 'The Rusty Gate Post' I contacted the photographer responsible for my reference image. I wanted to know more about this gate and he gave me enough information to locate the gate on Google Map. It resides outside a charming little B & B in the UK. Here's the Coach House B &B (link) on A413 Brackley Road, Silverstone, United Kingdom. Seems I guessed the wrong finial. Ah, well....


Monday, October 13, 2014

Autumn Scene ~ color study (acrylic)



Here is my painted color study, just completed. It's small, roughly 5" x 13". I decided to use tube acrylic because acrylics can be more forgiving than watercolor and I wanted the freedom to change things up should I want to switch colors. I just may paint the final piece using acrylics!

I began by using the acrylic paint like watercolor and gave the entire paper surface a Yellow Cad. Light wash, including the birch trunks. I switched to Cad. Red Light, which is actually orange, and added a light wash while the yellow was still wet. I've never been happy with any tube orange but decided not to sweat the small stuff just yet. I knew I could adjust things later. I didn't bother masking the lower leaves for this study either. I just wanted to see how my chosen colors worked together. Once the yellow and orange were dry I mixed Deep Violet and UB to create various degrees of red and blue violet and laid in my darker values. Then it was all a matter of tweaking. At one point I was afraid I had gone too dark on the birch trunks but as I kept going it all began to work. Birch bark is so white it reflects color well, even in shadow...especially in shadow...which provided an excellent opportunity to bring some excitement to the trunks. I completed the leaves using mostly yellow and violet but hit a snag when I added Cerulean blue, my 'pop' color. Full strength it looked awful but mixed with a little white to soften it, it worked very well. I added the pale Cerulean to the background, some of the leaves and both tree trunks. To complete the study I toned the orange areas with a light wash of deep violet, very diluted. 

Saturday, October 11, 2014

Autumn Scene ~ color study



Autumn Scene is a temporary working title until I see how this goes. I just completed this color study with Prismacolor colored pencils on a thumbnail sketch, roughly 4 1/2" x 1 1/2".  I want it to be full of vibrant, unexpected Fall colors and blowing leaves. Lots of windswept action. I'm using a double complimentary palette here...yellows and violets with oranges and blues. Because these colors (yellows/oranges) and (violets/blues) are analogous, it should work. I want one 'pop' color. Not quite sure what that will be yet. Possibly turquoise or teal. Something blue-ish and vibrant.