The Timekeeper's Cottage ~ complete

SOLD

Although it doesn't look like I made any changes, I made a few. I used blending solution to bleed some background color into the lilies and the cat. They looked too stark before, at least to my eye. The image doesn't show it but I also added some Pearl Mixative to the large key and the hour glass to bring them both out of the background. Fighting the urge to fiddle anymore, I put my inks down and called this complete. Some of the ink colors are as difficult to photograph as they are to scan. An example is the 'neon' blue in the upper left corner. That passage isn't anywhere near as 'violent' IRL. The Moon isn't as muddy as it appears here either. I also decided not to re-ink the areas where the Micron pen was washed away by the alcohol inks. I like the lost edges.

Note: The only problem with using rubbing alcohol with Ranger inks is it's tendency to dull the shiny finish. I'm going to apply several coats of Krylon gloss UV protectant varnish to bring back the shine and make the colors appear more vibrant.

The Timekeeper's Cottage ~ WIP 3



Nothing is more scary or knot-in-the-stomach exciting as spending hours drawing, transferring and inking a piece only to turn little tiny bottles of alcohol ink loose on what you painstakingly created with absolutely no idea what will happen. I thought watercolor was unpredictable but this medium trumps it hands down. As I've worked with these inks and have come to know how they can react with each other I went in with a vague idea of what I wanted to happen but knew it may not become a reality. This piece is roughly 10 1/2" x 17" and painted in portrait format (obviously). Alcohol ink dries incredibly fast so the challenge was to keep it moving while I added various colors and 17" is a long run. Anything could and did happen as these inks moved down the Yupo. Some cool textures formed and some very interesting secondary colors appeared.



Right after the pour. The masking is still in place. Yikes!

I had decided at the beginning I would use rubbing alcohol to move the inks because the blending solution tends to dilute the colors and I wanted to keep the dark colors dark. I also knew this would be a one shot deal. I had already masked off the areas I wanted to save and hand paint later like the Moon, the moths, the window openings, the cat and the lilies. I wish now I had masked off the larger key but I may be able to work with it or I may decide to leave it. You can see a shape there and it invites the viewer to come in for a closer look.

 

 



The Timekeeper's Cottage ~ sketch

While I was still working on Thistle Downs I began this sketch and completed it this afternoon. I've dubbed it 'The Timekeeper's Cottage' because I wanted to add an old clock and it kind of went from there. I also liked the idea of the oversized key and keyhole and of course I had to get a cat into the picture somewhere. Not sure how all that ties into a timekeeper but it's my drawing so I can add whatever I choose! Question: Has a pre-painting sketch ever told you what colors it needs (?) because this sketch is telling me it needs blues and purples. I'll have to sort out my palette and see what works best, though.

I was introduced to a new term recently....Zentangles. It's basically doodle art taken to an entirely new level. I discovered that various patterns have names and are typically done with Micron pen. The pattern I added to my crescent moon is a zentangle. It will receive more line work once I start inking my drawing on Yupo. I'll leave a link for anyone interested in experimenting with zentangles. I believe anyone that works with pen and ink could incorporate some of these patterns into their work to create added interest.

 http://tanglepatterns.com/tag/zentangle