Bundle Up #2

The second installment in my new series based on women's coats and accessories. Sorry for the lag in updates. After my last post I could not find traction for some reason and I hope whatever was going on with me has passed for a good long time.

40th Birthday Card

Sorry to be MIA. Life gets in the way sometimes. I did just complete a birthday card for my youngest. My baby is turning 40 this coming Tuesday. Ugh! Where did the years go?! It's a little collage, some Micron pen and acrylic paint on artist grade kraft paper. It's a fairly good likeness.

Idiosyncratic Fashionistas ~ my current muses

These ladies are a constant source of inspiration for me. I'm referring to Jean and Valerie, women of a certain age that call themselves the Idiosyncratic Fashionistas for obvious reasons. I love their philosophy on growing older (with verve!) and they refuse to become invisible just because they are no longer young. And don't think they haven't been noticed! Follow the link to see their latest accomplishment.

Anyhoo this is another little pen and watercolor...I'm still playing. I'd like to try something a little more serious just to see if it could work. That's coming up next.

The Cellist ~ complete

I did manage to finished this up yesterday but it was too late to photograph it. Sadly it's so dark and gloomy here today this took on a rather greyed down appearance but I did the best I could in my photo editor.

I'm quite pleased with the way things turned out. It all came together 1-2-3. Love when that happens! I'm happy with the textures, the colors and fun mood of the piece. Her hair got the same treatment as the border. The only difference, I used oranges and reds on the tissue paper. I used all Daniel Smith colors. A tip: try laying on a wet wash of DS Perinone Orange, then dropping on a bit of DS Duochrome Hibiscus and letting them both mingle on your substrate. Gorgeous. I had toned down the border with a layer of white acrylic (see prior post) but I wanted another border treatment. I taped off where I wanted to create another border effect, then lifted some of the white acrylic with 70% alcohol. Voila!

Self Portrait ~ complete

After tweaks

I finished this yesterday but took a day to give it a good 'look'. I didn't take any more progress shots unfortunately. Once I started painting I was in the zone and didn't stop until I'd almost completed it.

When I started painting I wasn't quite sure what direction I was going to take this. I let the painting tell me instead. Am I happy? I can't say I'm not. It's a bit more cartoon-y than I had envisioned but I see that it's the thicker black outlines that create that effect. I seem to have a tricky face to capture and harsh lines around certain facial features create a loss of likeness. Another thing I need is a better brush for fine line work with acrylics. Too much Micron pen for me. I really didn't want that look however I am very happy that it turned out as well as it did seeing how this is a portrait which I rarely paint and I'm still learning how to work with acrylics. Note to self: maybe less texture next time if I want smooth line work.

I did wind up tweaking this. The missing line work on the face just looked wrong.

Drawing a Rainy Day Away

It's been raining here for the past two days. I'm not complaining(!) because we really do need this but the gloom does get to me. I went a surfin' on the web and was inspired to pick up a drawing utensil(in this case a Micron 05 pen)and draw the scene directly out my front windows. It's something I look at every time I sit down on my sofa and I could do an entire series on that one little view. It offers several species of trees, one that produces berries, and wild shrubs, weeds and grasses. The various shades of green are stunning at the moment. No wonder green is my favorite color.  

The Importance of Play

In the wee hours of the morning I was enjoying the cool and suddenly felt the creative urge stirring. I didn't have anything ready to roll so I decided to play. I got out granulation medium, a Micron pen, acrylic gesso and walnut ink. I use styrofoam disposable plates for palettes and, when the bits of leftover paint dry, I stack them and keep them handy. I sorted through the lot and chose my colors. Then I played. I found out what granulation medium does when poured onto wet watercolor and/or walnut ink. I also discovered what amazing textures are created when you mix gesso into wet watercolor and granulation medium. I painted a loon! I finished the session off by painting part of a field stone wall. Most importantly, I learned! Just by taking a half hour to simply play I now have a few more tricks in my arsenal as I move forward. Don't ever underestimate the power of play. There's no pressure. Let the creative juices flow and enjoy yourself. Isn't that what it's really all about?   

A Faux Batik Xmas



Occasionally I will paint individual cards for Xmas. I find them labor intensive so I have to be in the mood and this year I'm in the mood. I decided to stick with my alcohol ink batik technique for a welcome change. These are not folding cards so I've used Yupo as my backing substrate. I'll be writing my message on the back of each card with Micron pen so they will need a coat of Krylon spray varnish to eliminate any smearing. I could not find my white fluid acrylic paint to create the snowy candy canes so I used White-out. It worked great but I had a devil of a time washing it out of my spatter brush. Here are a couple of my faves.

An 'Ah HA!' Moment



I managed to finish my 'Clowder of Cats' sketch but lost interest before I could start painting. It happens sometimes. I'll probably come back to it eventually but in the meantime I had one of those 'ah HA!' moments that makes me wonder why I didn't think of it long ago. I have solved the dilemma of ink painting on metal leaf.

This past summer I posted a couple of small paintings done on copper Simple Leaf. I loved the effect but the paintings were so delicate and scratched easily. Also the copper leaf did not like blending solution. Painting on the silver Simple Leaf was even more difficult and I never managed to create anything worthy of posting. It scratched just by breathing on it, I swear. Then two days ago the solution suddenly came to me. Why not apply the leafing to clear acetate, then paint on the flip side? The leafing would show through but be completely protected. Today I found time to experiment on an acetate display sleeve. First I had to find out if the alcohol ink would move and flow on acetate. Would it withstand rubbing alcohol and blending solution? Yes to both. Then I applied the Simple Leaf to the acetate, flipped it over and created a quick little painting. I even added a bit of line work with a Micron pen. A side note: the Micron pen went on better after the alcohol ink had been applied. I would like to try Krylon workable fixative next time to see what affect that will create. I love it when I have a rare moment of 'smart'.   

A Katydid & a Ladybug

'Ladybug' and we all know one or two.

'Katydid' and she did come to visit me last summer.
 I was fortunate to snap a photo before she went on her way.

It just never came together for me.

My sketch

Not all bright ideas pan out. I worked up a sketch on pad paper that looked like it might work. Alas, it did not. In the process of coming to that conclusion I used up a lot of ink and almost an entire bottle of Ranger blending solution which isn't cheap so I did the next best thing....I cropped it into two separate ink paintings. The original painting was my largest so far being 17" x 12".

I wanted to try out my new Ranger ink colors...Pitch Black and Pesto(green). Pesto behaves much like the rest of the Ranger inks (aside from the mixatives) but Pitch Black is thicker and it takes a lot of blending solution to make it move. From now on it will be used in smaller works until/unless I order more blender. I do love it, though. I works so well to tie the Micron line work into an ink painting, adds wonderful contrast and drama and it truly is pitch black. 

Back to School ~ complete

I scanned the completed painting. The colors are still off but better than the photos. There's no green in the painting even though it looks like it on my monitor and the colors are slightly softer.



It took me awhile but I finally finished this. I did a few more pours, then applied liquid masking to some of the fish. The intention was to work on those fish separately after the masking was removed so they wouldn't blend into the background so much. Today I lifted some areas of ink, re-inked various lines, added gold and silver metallic Jacquard Lumiere paint to areas of the fish and also drizzled copper and gold Lumiere throughout the background. I also added a few ink lines with Micron pen to the background to tie it into my COI, the fish. I kept to my original palette of Ranger's Wild Plum, Sunset Orange, Purple Twilight, Watermelon, Peach Bellini and Cool Peri. I like the candy colors!

With masking applied(left) and after removal(right). Sorry for the poor quality images. These colors do not photograph well.

Back to School ~ WIP 3

First pour

My color trial



A quick update on this project. I'm posting my color trial and the first pour. I managed to do a second pour but it doesn't look like much yet so I'm going to hold off until I receive my supplies. I ran out of a few ink colors and blending solution so had to order more. Lucky for me Tim Holtz is having a sale on ink right now.

I really played with my trial sample. After inking a quick sketch and pouring the alcohol ink I added a few touches with Jacquard's Lumiere metallic acrylic paints...some gold to the fish scales and a few other Lumiere colors to the background. The Lumiere line of paint is a light body acrylic product that comes in some luscious colors. They are similar to fluid acrylics. Slightly thicker than fluid acrylics but still pourable. 

  

Back to School ~ WIP 2

I just finished transferring my drawing to Yupo and inking all the lines with Micron pen. I had a ton of fun coming up with patterns for the fish. It made me think of the first day back to school for human students, showing off their latest/hippest new duds. I also just sprayed everything with Krylon workable fixative and snapped a photo while it dries. This one is telling me it needs pinks, purples and oranges for a palette. I'll have to do some trials on Yupo scraps before deciding what will work best.

The Timekeeper's Cottage ~ complete

SOLD

Although it doesn't look like I made any changes, I made a few. I used blending solution to bleed some background color into the lilies and the cat. They looked too stark before, at least to my eye. The image doesn't show it but I also added some Pearl Mixative to the large key and the hour glass to bring them both out of the background. Fighting the urge to fiddle anymore, I put my inks down and called this complete. Some of the ink colors are as difficult to photograph as they are to scan. An example is the 'neon' blue in the upper left corner. That passage isn't anywhere near as 'violent' IRL. The Moon isn't as muddy as it appears here either. I also decided not to re-ink the areas where the Micron pen was washed away by the alcohol inks. I like the lost edges.

Note: The only problem with using rubbing alcohol with Ranger inks is it's tendency to dull the shiny finish. I'm going to apply several coats of Krylon gloss UV protectant varnish to bring back the shine and make the colors appear more vibrant.

House on Thistle Downs Drive ~ complete (?)

SOLD

I think I'm going to call this complete. Once poured alcohol ink is on the Yupo, the less manipulating it receives the better. I could easily fiddle this to death with a brush. For colors I used Ranger's Terracotta, Willow and Cloudy Blue. I saved the white of the dragonfly wings with masking fluid as well as a few other areas of the composition but the contrast was too great to leave all but the wings. Too many pristine white spots proved distracting. I did remove some ink with blending solution here and there and re-inked several lines which had faded during the inking process.

House on Thistle Downs Drive ~ WIP 3

Sorry to be MIA. After my last post I was hit with acute bronchitis and with my existing lung problems it really took me down. Yesterday was the first day I felt human again so I was able to get back to this project. This is Micron pen and black Sharpie on 144# Yupo. I ran into some major smudging problems which I didn't expect but decided to work with it rather than against it. (see some of the effects on the roofs, etc.). I've sprayed this with a few coats of Krylon workable fixative and it's ready for the alcohol ink. The workable fixative didn't entirely cure the smudge problem so I have no idea what will happen when I turn the ink loose on this. It's either going to be really cool or really awful. Stay tuned....
  

House on Thistle Downs ~ WIP color trial

Last night I did a quick sketch on a scrap of Yupo with Micron pen and Sharpie, then sprayed with a generous coating of Krylon workable fixative. Today I chose a palette of Ranger's Willow and Terracotta alcohol ink and did a pour, letting the colors mingle. Sharpie ink will bleed slightly when alcohol is applied and it creates a grey/blue color which I think works well with this palette. The workable fixative keeps the alcohol ink from spreading out and taking over. In short, it makes it slightly more manageable. I did drop in some rubbing alcohol with my oiler boiler to get the ink moving in the right direction. I noticed a few interesting textures appeared as the ink dried which I really liked. I'm not sure how that happened but suspect the workable fixative may have had something to do with it. I plan to try a few other color options but I really like this one at the moment.

House on Thistle Downs Drive ~ WIP 2

Last night and today I've been tweaking my original sketch. Well, actually I drew an entirely new sketch and played with the angles and textures. I added a few whimsical touches as well. I'm not finished with it yet but I wanted to post an update and see it on the monitor. Mistakes can become glaring on a computer screen that aren't so apparent on the easel. I worked with a lot of charcoal and Micron pen to see what this might look like upon completion. While studying Lumila's work I noted that success with this style depends a lot on the right distribution of small(fine) and large(heavy) textures, variations of mark making and shapes. It's about throwing perspective to the wind and simply putting things where the artist wants to see them. This style suits me on so many levels. I love whimsy, I'm lousy at perspective and it should fit nicely into my goal of creating a consistent body of work. Win, win.

Back to the Inks

Butterfly I

5" x 7"

April 2013 has not been a productive month for me. I managed to create more paintings than usual, all of which landed in File 13. It seems that not only trying a new style but also a new subject has proved folly for me. I had hopes of whipping up a Shirley Trevena style still life but that didn't happen. In the meantime a laundry list of to-dos was piling up behind me so I had to stop and take care of business. I didn't expect to lose Digby either but it happened and I've needed a few days to grieve. It really threw me for a loop to be honest. Maybe as I get older these things hit harder.

Art is good therapy so I got out the one medium that gives me the most pleasure at the moment and painted this butterfly using my faux batik technique .

Note: My reference photo was courtesy of Veronique on Paint My Photo.

Red Hat Lady ~ color studies

So far I've done two trial runs on Arches #140 hotpress w/c paper. Wow, it's difficult to retain facial expressions and features while trying to duplicate skin tones, place shadows, etc. I also tried two different palettes and two separate styles. I'm now on to #90 coldpress to see what results I get on that substrate. I'm getting plenty of practice painting faces if nothing else. I'm going to feel like I know this woman personally by the time I'm done.