The Clarinet Player

Inspired by yet another photo from franklin on PMP here is the clarinet man. The reference photo attracted me for a few reasons. I was also a clarinet player all through high school, in the orchestra and the marching band. I even earned first chair one year which is an honor. Oddly when I graduated I put my clarinet away and never played it again. This painting also goes with a more recent musically themed painting I completed, The Cellist .

I took a few photos of my process as I went along.

I fashioned a 'fabric' for the vest by gluing little triangles of
magazine pages randomly about the area. Tedious to say the least but worth it.

These thumbnails were color studies to

determine my color scheme.

Autumn Scene ~ color study (acrylic)

Here is my painted color study, just completed. It's small, roughly 5" x 13". I decided to use tube acrylic because acrylics can be more forgiving than watercolor and I wanted the freedom to change things up should I want to switch colors. I just may paint the final piece using acrylics!

I began by using the acrylic paint like watercolor and gave the entire paper surface a Yellow Cad. Light wash, including the birch trunks. I switched to Cad. Red Light, which is actually orange, and added a light wash while the yellow was still wet. I've never been happy with any tube orange but decided not to sweat the small stuff just yet. I knew I could adjust things later. I didn't bother masking the lower leaves for this study either. I just wanted to see how my chosen colors worked together. Once the yellow and orange were dry I mixed Deep Violet and UB to create various degrees of red and blue violet and laid in my darker values. Then it was all a matter of tweaking. At one point I was afraid I had gone too dark on the birch trunks but as I kept going it all began to work. Birch bark is so white it reflects color well, even in shadow...especially in shadow...which provided an excellent opportunity to bring some excitement to the trunks. I completed the leaves using mostly yellow and violet but hit a snag when I added Cerulean blue, my 'pop' color. Full strength it looked awful but mixed with a little white to soften it, it worked very well. I added the pale Cerulean to the background, some of the leaves and both tree trunks. To complete the study I toned the orange areas with a light wash of deep violet, very diluted. 

Autumn Scene ~ color study

Autumn Scene is a temporary working title until I see how this goes. I just completed this color study with Prismacolor colored pencils on a thumbnail sketch, roughly 4 1/2" x 1 1/2".  I want it to be full of vibrant, unexpected Fall colors and blowing leaves. Lots of windswept action. I'm using a double complimentary palette here...yellows and violets with oranges and blues. Because these colors (yellows/oranges) and (violets/blues) are analogous, it should work. I want one 'pop' color. Not quite sure what that will be yet. Possibly turquoise or teal. Something blue-ish and vibrant.      

Miss Willmott ~ color study

The final

First layer

This is the palette I have in mind. Very neutral colors with a decent range of values. I'm questioning my choice of a 'pop' color, which is Quin. violet, but it looks better IRL. I'm also using some negative painting on this sample. It's a much softer look. I am reminding myself along the way that white doesn't have to be truly white to appear that way. So far my main color choices are cerulean blue, permanent yellow and perylene green...all neutralized with either DS Moonglow or neutral tint.

Fancy Goldfish ~ color study

Sorry for the delay with an update but I've been having fun trying out a few mediums on some trial samples. So far, I've tried Jacquard Lumiere acrylic, alcohol ink and watercolor and I'm still going. It's been an interesting (to say the least) education. I really should be more bold with my experiments! I've also tried out a couple of different palettes...some pinks and golds, some greens, blues and purples. Not all scanned well so I can't show them all and because I've used duochrome watercolor and some metallics, I doubt they would photograph much better. I've used blending solution, alcohol and water(applied w/spray bottles), rubbed and manipulated the inks and paints with a brush and my fingers...what's next? To my visitors...which palette appeals most? I'm open to opinions.

Raven ~ color study

I've tried two different palettes and I think this one is the best. I did a couple of hasty drawings. The first I went kinda crazy. I used turquoise, green and a black I mixed from Burnt sienna and FUB. Not good. For this trial I did an under painting with various purples including DS Moonglow, one violet and cobalt blue deep. For the black I used straight neutral tint. I really love neutral tint. It produces a nice rich black and lifts easily. I went over my under painting with the tint after it was dry and lifted out my highlights/whiskers/etc. back to the under painting colors. Purple suits Raven. She was great at walking across my paintings, tracking whatever color she'd stepped in first. One particular painting that got the Raven treatment involved purple cat tracks. I still have that painting. I just can't seem to part with it. Also it happened to be a painting of another cat and that's when I decided purple and cats go together. A minor epiphany at the time. 

Back to School ~ WIP 3

First pour

My color trial



A quick update on this project. I'm posting my color trial and the first pour. I managed to do a second pour but it doesn't look like much yet so I'm going to hold off until I receive my supplies. I ran out of a few ink colors and blending solution so had to order more. Lucky for me Tim Holtz is having a sale on ink right now.

I really played with my trial sample. After inking a quick sketch and pouring the alcohol ink I added a few touches with Jacquard's Lumiere metallic acrylic paints...some gold to the fish scales and a few other Lumiere colors to the background. The Lumiere line of paint is a light body acrylic product that comes in some luscious colors. They are similar to fluid acrylics. Slightly thicker than fluid acrylics but still pourable. 

  

House on Thistle Downs ~ WIP color trial

Last night I did a quick sketch on a scrap of Yupo with Micron pen and Sharpie, then sprayed with a generous coating of Krylon workable fixative. Today I chose a palette of Ranger's Willow and Terracotta alcohol ink and did a pour, letting the colors mingle. Sharpie ink will bleed slightly when alcohol is applied and it creates a grey/blue color which I think works well with this palette. The workable fixative keeps the alcohol ink from spreading out and taking over. In short, it makes it slightly more manageable. I did drop in some rubbing alcohol with my oiler boiler to get the ink moving in the right direction. I noticed a few interesting textures appeared as the ink dried which I really liked. I'm not sure how that happened but suspect the workable fixative may have had something to do with it. I plan to try a few other color options but I really like this one at the moment.

Red Hat Lady ~ color studies

So far I've done two trial runs on Arches #140 hotpress w/c paper. Wow, it's difficult to retain facial expressions and features while trying to duplicate skin tones, place shadows, etc. I also tried two different palettes and two separate styles. I'm now on to #90 coldpress to see what results I get on that substrate. I'm getting plenty of practice painting faces if nothing else. I'm going to feel like I know this woman personally by the time I'm done.

Good Ship Rhino ~ color study

After looking at my composition for two days straight, I've decided I'm not happy with it. The left side looks like I simply ran out of paper and I may have to change the entire format. In the meantime I thought it wise to do a color study of my main subject, especially because I'm merging an animal with a manmade object. Will it 'read right' when contour and color are added? I've decided to submit this to a critique forum and get some feed back. I'll see what others have to say(if anything) and post any comments and suggestions on my blog. It should prove interesting and hopefully enlightening.

My Sunflowers~color study continued

I fiddled around some more with the color study I posted the 13th of this month. I'm still undecided as to a palette for this painting. The background concerns me more than anything else. In the photo the sky is what I would call Cobalt Blue Deep. Looks nice but it's predictable and boring, IMO. Even though the sketch looks complicated the shapes are pretty simple. Can I get away with doing something really fun with the background without over complicating the painting? Do I really have to resort to using masking fluid? Can I get powerful colors like turquoise and Indian yellow to work together? How will adding gouache affect the painting? How can I produce convincing clouds? I tried to answer all these questions today and am posting my results. I learned a few things...some things I liked, some not so much. I will continue to try new colors and techniques until I have my "ah Ha!" moment.

My Sunflowers~color study

I took one small section from the whole and did a quick color study last night. It looks sloppy because it is. I've got the end result in my mind but I'm not sure I can pull it off without resorting to using masking fluid. I really don't want to use it for this painting but it may be unavoidable. It's either that or gouache. I'd like to paint this in a loose style while still retaining all the great sunlit areas. My favorite sunflowers are the dead ones with their heads hung down, petals dragging. I'm still working on the drawing and doing a lot of editing. The edge detection feature often gives confusing information and I'm still trying to sort it all out.