Tuesday, October 21, 2014

Silverbark at Sundown ~ sketch and wip 1



This is the beginning of my latest project. It's another birch painting done with acrylic on 140# Fabriano HP w/c paper. I have a few stands of Silverbark birch across the drive from my home so I have plenty of reference material right outside my front windows. I plan to use the palette from my color study (see previous post). This painting will be much larger, approx. 6 1/2" x 29". An odd size but I've always wanted to do a long and very narrow format because I love the look. I've been waiting for a sunny day to forge ahead and that day has arrived. It's been so terribly gloomy lately that I've left lights on all day long. Not ideal conditions to create subtle color variations.

Side note: After painting 'The Rusty Gate Post' I contacted the photographer responsible for my reference image. I wanted to know more about this gate and he gave me enough information to locate the gate on Google Map. It resides outside a charming little B & B in the UK. Here's the Coach House B &B (link) on A413 Brackley Road, Silverstone, United Kingdom. Seems I guessed the wrong finial. Ah, well....


Monday, October 13, 2014

Autumn Scene ~ color study (acrylic)



Here is my painted color study, just completed. It's small, roughly 5" x 13". I decided to use tube acrylic because acrylics can be more forgiving than watercolor and I wanted the freedom to change things up should I want to switch colors. I just may paint the final piece using acrylics!

I began by using the acrylic paint like watercolor and gave the entire paper surface a Yellow Cad. Light wash, including the birch trunks. I switched to Cad. Red Light, which is actually orange, and added a light wash while the yellow was still wet. I've never been happy with any tube orange but decided not to sweat the small stuff just yet. I knew I could adjust things later. I didn't bother masking the lower leaves for this study either. I just wanted to see how my chosen colors worked together. Once the yellow and orange were dry I mixed Deep Violet and UB to create various degrees of red and blue violet and laid in my darker values. Then it was all a matter of tweaking. At one point I was afraid I had gone too dark on the birch trunks but as I kept going it all began to work. Birch bark is so white it reflects color well, even in shadow...especially in shadow...which provided an excellent opportunity to bring some excitement to the trunks. I completed the leaves using mostly yellow and violet but hit a snag when I added Cerulean blue, my 'pop' color. Full strength it looked awful but mixed with a little white to soften it, it worked very well. I added the pale Cerulean to the background, some of the leaves and both tree trunks. To complete the study I toned the orange areas with a light wash of deep violet, very diluted. 

Saturday, October 11, 2014

Autumn Scene ~ color study



Autumn Scene is a temporary working title until I see how this goes. I just completed this color study with Prismacolor colored pencils on a thumbnail sketch, roughly 4 1/2" x 1 1/2".  I want it to be full of vibrant, unexpected Fall colors and blowing leaves. Lots of windswept action. I'm using a double complimentary palette here...yellows and violets with oranges and blues. Because these colors (yellows/oranges) and (violets/blues) are analogous, it should work. I want one 'pop' color. Not quite sure what that will be yet. Possibly turquoise or teal. Something blue-ish and vibrant.      

Monday, October 06, 2014

Rusty Gate Post ~ complete?



Hi! Remember me? Well, here's my rusty gate. I'm happy with the gate but got stuck on the background which threw me into a sort of paralysis. I hate when that happens. It's like I can't move on until I solve this problem or the world will end. Crazy, huh? I'm still not happy with the background but it's time to post this 'as is' so I can start something new. This piece will land on the 'complete?' pile along with a few others that never quite made the grade.

To be more specific, I was very happy that I was able to make the chipped paint on the fence posts, which I hand painted, mesh with the egg shell paint chips on the actual gate post. After attempting some sort of background there was a noticeable disconnect between the gate and BG additions. But what to do? The gate is so busy I felt the background needed to be understated so as not to compete so I didn't think I could add any collage material to the tree trunk. Did I even need a tree trunk? What else would I put there? I don't know! The solution is probably simple and right before my eyes but I've looked too long at this to see it objectively anymore. Time for a time out.

Reference photo courtesy of ESP on PMP  

Thursday, September 25, 2014

Rusty Gate Post ~ WIP 3



More work done on this piece. So far it's been figuring out how to recreate the look of many layers of peeling paint and rust without spending a ridiculous amount of time on fiddly detail work. I've added more cracked egg shells but think I've reached the limit of that on the actual post. I will probably add egg shells to the fence posts, though. I've also got some ideas for a finer cracked paint texture for smaller areas. I toned down the blue cast in the background. It doesn't show up much in the image but I have been laying in some foliage growth behind the gate post. I'll be adding more after the post in complete.    

Tuesday, September 23, 2014

Rusty Gate Post ~ WIP (mixed media)




I developed a small case of artist's block and not even Crabby Cat could rescue me. He's still in the sketch stage where I left him in my last post. I detest that funky feeling when nothing seems to inspire me. In desperation I began going through my reference photos and kept coming back to an image I found on PMP. It was a rusty, ornate gate post and I loved all the wonderful colors and textures but had no idea how to go about painting it. Finally it was time to try. This is a mixture of acrylic paint, collage paper, egg shells and God knows what else before it's complete. It's a project that will keep me occupied for quite some time as I figure out how to recreate all that wonderful chipping paint and patina.

Saturday, September 13, 2014

Crabby Cat is Back

Scary enough?

The first two Crabby Cats

After several inking failures I've been having myself a pout...a regular crabby cat, if you will. What better way to break the gridlock than creating another Crabby Cat. Since Halloween is the next holiday I've been doodling up an idea for the occasion. Just a sketch so far. Thoughts anyone?

Sunday, September 07, 2014

Alcohol Ink & Collage



I created a background with alcohol ink on Yupo, then added a small stacked paper collage of amate and Lokta paper with a photo image on top much like the cherry on top a parfait. I selected a photo I took of my Spring anemones, cropped a single blossom from the bunch, greyscaled it and printed it out on photo paper. Then I went over the image with more alcohol ink to tone it. I would've gotten more daring if my format wasn't so small (3 1/2" x 5 1/2") but I didn't want to cover the background completely. I wish the scanner would've captured the colors better but photos turned out much worse. This is really more of a color story than anything else.   

Friday, September 05, 2014

Revisiting Alcohol Ink on Copper Leaf



I tried the same method on copper Simple Leaf (see prior post)and was very happy with my results. The gel gloss medium works perfectly as a buffer between the leafing and the alcohol ink. I can also chose to add some texture if I wish while applying the gel medium. Various brush strokes, the edge of a credit card...anything that will create some added interest. I still have to take care not to get too rough but things are much more workable now. Waiting for the gel medium to dry before applying the inks...well, with the humidity we have right now, it's a wait but well worth it.