A B. C?

Here is the repaired painting. I stenciled a honeycomb pattern on the background to finish the piece.

Hopefully this image will allow you to see the area of damaged Yupo I circled. When I'm working on certain insects I will cut away only a few sections of frisket at a time. In this case I saved the bee's wings until last so the Pitch Black and Yellow Sunshine ink wouldn't get on them. When I attempted to remove the frisket from the left wing I accidently dug into the surface of the Yupo and peeled off a thin layer leaving a rough area. I managed to solve the problem by cutting a piece of the glossy backing paper from the frisket into the shape of the damaged wing and gluing it in place with gel medium. Another solution could've been another piece of Yupo but I decided the backing paper would work best for this purpose.

Sorry, I couldn't help myself. I think I'm losing it and if winter doesn't end here soon in northern Michigan I'm going to completely lose my mind. Anyhoo, this is my latest bug, the wonderful bumblebee. I love to hear their deep throaty buzz in the garden on a hot summer afternoon.

The Fly

This one took two tries and it still could use some grounding with a few shadows now that I see it on screen. I used Ranger Pearl mixative on the wings to make them look more fly wing-y and I added the veining with a Prismacolor colored pencil...Violet Blue, I think. A waxy pencil on Yupo, you say? I know but I'm fairly certain it'll be permanent after a good spray or two of Krylon gloss varnish.

Experiment ~ acrylic gesso and gloss gel medium on matboard

...and finished with Ranger alcohol ink. I've wanted to give this a try to see if it would work and I'd say it was successful. I used a dried bloom of a large ornamental grass and embedded it with Liquitex acrylic gesso onto 3/16" white matboard. I've done this before with dried oak leaves (link) . I then gave it a coat of Liquitex Gloss Gel medium diluted with a little water. When that was dry I rubbed walnut ink over the entire surface and wiped away the excess. The walnut ink ran into all the nooks and crannies and gave the piece an antiqued look. I could've stopped there but I wanted to see how Ranger ink behaved on the gloss medium so when that was dry I gave this another light coat of gloss medium. It served to preserve the effects of the walnut ink and gave me a slick surface to apply the alcohol ink. Then I added the ink and found it moved well on the gloss surface. I had a bit more control than on Yupo but the effects were basically the same. I used Ranger's Caramel, Clover and Copper mixative.

JUGGS ~ complete

It's finished! I fixed all the boo-boos and did a little clean up overall. The designs on the ladies' sweaters look more snowflake-y thanks to the Ranger alcohol mixatives and it's time to walk away. Put down my brushes and just walk-a-way. It is what it is and hopefully my client will like the results.

Pecking Order ~ WIP 2

With flash

Without flash

I'm trying to spend just a few hours at a time working on this to avoid breathing too many fumes but it's really difficult when I get in the zone. I've got the chickens finished but it's hard to tell from these images. I tried photographing twice, once with and once without flash and got varying results, neither of which turned out well. I used Ranger's Pearl mixative on the white chickens and the flash lit the ink up like crazy because this particular ink contains iridescent particles. Without flash the painting looks dull but the quilted effect from the waxed paper is less apparent. I decided I'm going to post both images because with all these gloomy days(and no sun predicted in the foreseeable future) I doubt I'll be able to do better before the painting is done.

Metal Leaf on Watercolor Paper

I love metallics but am never sure how to incorporate them into my artwork effectively. Recently I purchased a few packages of Simple Leaf from Daniel Smith. I like it because it's cheaper than gilder's leaf and it doesn't require sealing to prevent tarnish. I chose silver and copper w/a bottle of Mona Lisa leaf adhesive. Last night I experimented on Fabriano 90# w/c paper and found the cotton rag drinks up the adhesive like crazy. In order to get the metal leaf to stick I had to apply it within moments of painting on the adhesive. Afterward I thought "WOW...is that bright and shiny!" To tone it down I tried some Ranger alcohol ink over the leaf and got some interesting results. It did tone down the brilliance of the copper as well as the silver and, depending on which color ink is used, I believe it's possible to create some really exciting effects. I'm posting a sample piece so you can get an idea of my results. Metallics are difficult to photograph but I did my best.

Note: The sample is partially silver leaf and copper. I used Ranger's Expresso and Clover on the copper and just Clover on the silver.

Back to the Inks

I'm back to my alcohol inks and trying a few new techniques. I met June Rollins on Facebook through Wendy Videlock and joined June's AI group on the site. When I saw June's blog (link) I realized that I had seen her work before. She creates the most amazing land and seascapes with alcohol ink on Yupo. June calls them her 'Dreamscapes'. I ordered her DVD and was inspired to start working with more of the Ranger metallic mixatives along with a few new ink colors such as Terra Cotta and Denim.

This particular painting was done with Twilight Purple, Eggplant, Terra Cotta and Ranger's gold mixative. I created the crescent moon with the help of a plumbing and house planning template (link) and a little 70% alcohol on a Q-tip.