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Once the drawing was transferred to my working paper I went over all the lines with my metallic gold Prismacolor pencil. I chose to do simple crosshatching for the flower's centers. I had a certain effect in mind and decided to experiment with paraffin wax as a resist. No special wax, just the stuff you melt to seal jelly jars. It worked but I found I had to be careful not to use a synthetic bristle brush over it or the wax would rub off. Conclusion? Pouring was my best option. I am using a squirrel hair mop to very gently guide the paint only when absolutely necessary and so far the wax is staying put.
Intention: I want to create the illusion of great size and height for these sunflowers so I added some crows, not only for suggested scale but also because I think crows are cool and they go well with sunflowers. I drew a few outlines of crows on tracing paper so I could see where to place them in the composition. As the crows were on tracing paper, it was also possible to flip the line drawings over to change the direction of the crow's outline giving me more options.
4 comments:
What vibrant color...again, very informative. I like seeing how you work.
Cynthia a.k.a. Cynnie
I was shooting for some intense color, Cynnie. Pyrrols sure deliver, don't they?
wow this is really cool Billie! Thanks for posting all the details, very interesting to see how it is all done too :)
Thanks, Tracey! This was something brand new for me and I liked the graphic effect.
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