Channeling ~ WIP

I'm almost done with this latest collage. There's still a little tweaking to be done. It was inspired by the man made channel (aka Pine River) in my own town. It connects Lake Michigan with Round Lake creating a safe harbor for ships and boats. I've taken photos along the way to create a work in progress beginning with the very first sketches. Most of the papers are homemade including blue crystalline paper for my lake water. The rest are magazine pages and a few prints I made from images I found online.

Cat w/Black & Orange

Completed. I've had the reference photo (Kenya M / PMP) for quite some time. Not sure why it took me so long to tackle it. When I first saw it I was struck by the palette and the graphics in the background. Consequently I've held fairly true to this reference. Although I'm happy with my results, since I've started working in a more graphic style, painting more realistic is much less satisfying. I am anxious to get back to my continuous line drawings, sketches (yes, you heard it correctly, the woman who said I'll never be a sketch artist) and the sheer thrill of creating something unique. I have a  wonderful idea for a new painting but I have to get permission to use some photos first. I managed to track down the photographers and a way to contact them. I've got fingers crossed they will respond back and give me the go ahead. Wish me luck!

Almost forgot...the Cat w/Black & Orange was painted with alcohol ink and acrylic paint on paper.

The Clarinet Player

Inspired by yet another photo from franklin on PMP here is the clarinet man. The reference photo attracted me for a few reasons. I was also a clarinet player all through high school, in the orchestra and the marching band. I even earned first chair one year which is an honor. Oddly when I graduated I put my clarinet away and never played it again. This painting also goes with a more recent musically themed painting I completed, The Cellist .

I took a few photos of my process as I went along.

I fashioned a 'fabric' for the vest by gluing little triangles of
magazine pages randomly about the area. Tedious to say the least but worth it.

These thumbnails were color studies to

determine my color scheme.

Good Boys ~ mixed media

This is my latest contribution to the art world and much fun was had during the process. Inspired by one of Christine C's photos on PMP, I began by making a continuous line drawing of three of the dogs in the photo. I traced them separately onto tracing paper so I could play with the composition. I then prepped watercolor paper by gluing down a few layers of stamped tissue paper. I wanted a vibrant orange background but the paint had to be transparent. I accomplished that by laying down a coat of gel gloss medium. When it was dry I painted the entire surface with orange alcohol ink. The center dog is a dalmatian and I wanted his spots to have lovely soft edges, just like watercolor applied wet into wet. I solved that issue by gluing more tissue paper down on the fur areas, then dropping in some black watercolor while the glue was still quite wet. Tada! 

Christmas Bird ~ mixed media

This is my rendition of a Christmas bird. Trust me, it's one of a kind. I tried several ideas out on this little birdie while in the process. For instance, I added quilted fabric to his body. I found an old pillow sham which was sacrificed for the cause. Also I dipped into my vast collection of bird feathers and used those to embellish the breast. I created a makeshift piping bag from a plastic storage bag and piped the branch with modeling paste. I used my waxed paper faux batik technique to make the leaves and the tail and wing feathers. Walnut ink was used to tone the waxed paper rather than India ink and the background was also toned with walnut ink. Hope you like. I like it.

Morels and Bookmarks

I've got two 11" x 14" shadow boxes that I've wanted to use for paintings so I chose to use morel mushrooms for my subject, at least in one of the boxes. I'm taking a similar approach to a painting I created back in 2011. I've coated a piece of matboard with Liquitex gesso and added bits of leaves and twigs to replicate a forest floor. I also coated some oak leaves I saved from last Fall. Oak leaves are the best leaves I've found for this application because they are sturdy and pliable, even when dried. I will attach those with gel medium. I also tried out a new medium...string gel. I used it to form the mushrooms and give them a 3D appearance. The string gel was surprisingly easy to work with and I can imagine all sorts of projects I could use it for.

I found myself with lots of scrap Yupo and I hate wasting art materials so I made about a dozen bookmarks with the bits and pieces. I think they turned out rather well!

Bug Me ~ a new series

Spring is coming and it looks like Mamas' got her ink on again. I finally have a new direction and it's about time, too. 2015 kicked my behind health-wise and I'm still dealing with the aftermath. It's difficult for me to sit for any length of time at my work area because of severe arthritis in my spine and I wound up losing all my forward momentum. This past week I told myself I will paint two bugs every day no matter how I feel and so far I'm doing it. And it feels good. I just love bugs and I love alcohol ink so this series makes perfect sense to me.

I'm using the frisket film still which allows me to pour the inks to my bugs with abandon. Occasionally I use a little liquid masque as well. I'm only limited by my imagination. In addition to the alcohol ink I've been embellishing a few of my bugs with Brilliance Archival pearlescent inks .  
Jo Ann's was having a sale on these ink pads and I couldn't resist.

All the paintings are small (5" x 7") and are surprisingly labor intensive. If anyone wishes to give this a go let me give you some tips.

1. Make sure your working Yupo is completely covered by the frisket film. Otherwise the inks have a way of sneaking underneath and winding up in areas they shouldn't.
2. When applying the film be sure to leave no creases or bubbles, again for the reason listed above.
3. Be sure to keep a sharp blade in your Exacto knife for clean cuts. The moment the blade starts to drag change it.
4. When cutting out the shapes fight the urge to bare down too hard on the blade. You don't want to cut through the Yupo. A light hand on the handle of the knife helps.
5. You can draw on matte frisket film to give yourself guide lines if you wish. 
6. After you've made your cuts hold the Yupo up to the light so you can see your cut lines. I miss spots all the time so I recommend double checking. Also double check after you've removed the Yupo from your cut shapes and before you start inking. Frisket film tears easily and some little pieces might get left behind.  
7. Work as clean as possible. Nothing is more heartbreaking than a big ink smudge on a new ink painting. This is one of the biggest challenges for me.
8. Happy inking!

Alcohol Ink & Frisket Film

Here I've used frisket film on Yupo and cut out simple shapes with an Exacto knife before applying my ink. For those not familiar with frisket film, it's a lot like transparent contact paper with a low tack adhesive. Most art suppliers carry it.

I've wanted to try this for some time and finally got around to it recently. It's fun to have the edges of the film corral the ink and to feel free to keep throwing color. It's almost impossible to make a mistake with this technique. These are a few of my results. I think they could handle some more embellishment, possibly some jelly roll pen or marker OR I may just leave these as is and give them a coat of gel gloss medium. I don't dare spray Krylon varnish in the house in winter.

frisket film

Lunch Rush at Chez Dumpsta ~ complete

Almost nine months in the making, it's finally done. Like giving birth, huh? Well, not even close but I'm certainly glad it's done and I'm pretty happy with the outcome. Again, it doesn't photograph well but I did my best with my photo editor. I gave it a final coat of gel gloss medium last night, then today I added some of the cat's whiskers with white gelly roll pen. One coat of Krylon gloss varnish spray this afternoon and it was ready for it's close up.

Reference photo courtesy of Margaret Wiles on PMP

Back to the Inks

Red I

Red II

Red III

I made a trip to the gallery recently to drop off 50 greeting cards to sell. Moo.com was having their 20% sale last month so I had a collection of my favorite cat paintings made into cards. Moo does an amazing job and their quality is superb. I did a review a few years ago on their cards if anyone would care to read it. FYI, even though I think their greeting cards are an odd size, Clearbags carries an acetate sleeve (B46) that fits them perfectly. Another FYI...Moo is currently running a 25% sale which ends midnight Nov. 10th. But I digress....

While I was at the gallery I was asked to produce more ink paintings and other small works. They've proven to be quite popular. I love creating small works. Anything in the 5"x7" range or thereabouts. They go fast and I can try out all sorts of ideas without ruining reams of expensive paper if an idea fails. I've been working on some free form alcohol ink paintings and I just completed a small series focusing on the color red which I'd like to share. These were scanned so the colors are a bit off but not too bad. 

Pigments of Your Imagination ~ the book

Back in February of 2013 I was contacted by Cathy Taylor (link)who I met on Facebook via an alcohol artists inking group. She was planning on self publishing a book featuring a variety of techniques employing this medium and wanted to know if I would like to be among the artistic contributors. Sure! How exciting and what a great way to have my work published. I was both flattered and honored.

Cathy stayed in touch with all the ink artists by email and in June announced that Schiffer Publications had picked up the book. Of course we were all over the Moon for Cathy but a lot of work still lay ahead for her. Long story short, after much work, stress and a few delays the book, Pigments of Your Imagination (link)is now available on Amazon. Yesterday I received my complimentary copy and I have to say, all Cathy's work was well worth it. Schiffer did a wonderful job with the book, too. The book is a nice size, roughly 8" x 9", and the pages are heavy weight glossy paper held together with a spiral binder so the book can be opened and lay flat. My waxed paper faux batik technique (link)is featured in one of the chapters and several of my ink paintings are in the gallery section. I believe there are 14 contributors total, each with a unique perspective and some really lovely work. I'd highly recommend this book to anyone considering trying alcohol inks. The instructions are clear with an abundance of photos for guidance.

Pigments of Your Imagination ~ Video review by Jill Berry

Fancy Goldfish ~ color study

Sorry for the delay with an update but I've been having fun trying out a few mediums on some trial samples. So far, I've tried Jacquard Lumiere acrylic, alcohol ink and watercolor and I'm still going. It's been an interesting (to say the least) education. I really should be more bold with my experiments! I've also tried out a couple of different palettes...some pinks and golds, some greens, blues and purples. Not all scanned well so I can't show them all and because I've used duochrome watercolor and some metallics, I doubt they would photograph much better. I've used blending solution, alcohol and water(applied w/spray bottles), rubbed and manipulated the inks and paints with a brush and my fingers...what's next? To my visitors...which palette appeals most? I'm open to opinions.

Alcohol Ink on Sculpted Paper

I've planned on trying this for months and finally got to it the last few days. This is sculpted paper on Yupo Col Mitchell style (link) using tracing paper and gel gloss medium. The little bird was cut from Yupo and glued in place with Mod Podge. I wish now I had taken a photo before I applied the ink so you could see the sculpt work. This is only about 4 1/2" x 5 1/2" and is really too small a format to get terribly creative. I just wanted to see if I could do it at all. I've said many times how I love to add texture to my work and this is certainly one exciting way to do just that.

Experiment ~ acrylic gesso and gloss gel medium on matboard

...and finished with Ranger alcohol ink. I've wanted to give this a try to see if it would work and I'd say it was successful. I used a dried bloom of a large ornamental grass and embedded it with Liquitex acrylic gesso onto 3/16" white matboard. I've done this before with dried oak leaves (link) . I then gave it a coat of Liquitex Gloss Gel medium diluted with a little water. When that was dry I rubbed walnut ink over the entire surface and wiped away the excess. The walnut ink ran into all the nooks and crannies and gave the piece an antiqued look. I could've stopped there but I wanted to see how Ranger ink behaved on the gloss medium so when that was dry I gave this another light coat of gloss medium. It served to preserve the effects of the walnut ink and gave me a slick surface to apply the alcohol ink. Then I added the ink and found it moved well on the gloss surface. I had a bit more control than on Yupo but the effects were basically the same. I used Ranger's Caramel, Clover and Copper mixative.

A Faux Batik Xmas



Occasionally I will paint individual cards for Xmas. I find them labor intensive so I have to be in the mood and this year I'm in the mood. I decided to stick with my alcohol ink batik technique for a welcome change. These are not folding cards so I've used Yupo as my backing substrate. I'll be writing my message on the back of each card with Micron pen so they will need a coat of Krylon spray varnish to eliminate any smearing. I could not find my white fluid acrylic paint to create the snowy candy canes so I used White-out. It worked great but I had a devil of a time washing it out of my spatter brush. Here are a couple of my faves.

Pecking Order ~ complete



I mounted this on 144# Yupo two days ago but had to wait to get a photograph. The weather finally broke long enough to allow me to capture a decent photo of this piece. I took it outside today on a bright hazy, 5 degree F day...perfect for photographing art. Well, the temp wasn't perfect but tolerable and the lighting couldn't have been better. I added a digital 'frame' with my photo editor. The final dimensions are approx. 11" x 18". Hope you like!

Note: My photo reference was courtesy of Sharon Whitley on Paint My Photo.

Pecking Order ~ WIP 3

Sorry for yet another bad image. Between our dark days and the shine of the alcohol inks I'm having a devil of a time photographing this piece. Suffice it to say, it looks a whole lot better IRL. I'm just about ready to mount this on Yupo and give it a few coats of varnish but I thought I'd post it at this stage to show how it looks before I work out the puffiness with a brayer. I like that quilted effect for some subjects but not this one. I'll be using Mod Podge to adhere it to the Yupo. Mod Podge works very well because it stays tacky long enough to make adjustments before it dries.

I just noticed I may have missed a toe on one of the roosters. I also have a few areas that need to be lifted (colors that bled or accidently landed in the wrong spot). Hopefully I'll be able to take care of that with a Q-tip and blending solution.

Pecking Order ~ WIP 2

With flash

Without flash

I'm trying to spend just a few hours at a time working on this to avoid breathing too many fumes but it's really difficult when I get in the zone. I've got the chickens finished but it's hard to tell from these images. I tried photographing twice, once with and once without flash and got varying results, neither of which turned out well. I used Ranger's Pearl mixative on the white chickens and the flash lit the ink up like crazy because this particular ink contains iridescent particles. Without flash the painting looks dull but the quilted effect from the waxed paper is less apparent. I decided I'm going to post both images because with all these gloomy days(and no sun predicted in the foreseeable future) I doubt I'll be able to do better before the painting is done.

Pecking Order ~ WIP 1

'Pecking Order' is my working title for now. At least until I can come up with something better. My photo reference came from Sharon Whitley on PMP. This will be the largest faux batik I've done to date. I don't have the final measurements but will post them later. I took a quick photo when the clouds tried to part for a moment but the image could be better.

Instead of India ink I've used walnut ink to prime my waxed paper before applying the alcohol inks. Walnut ink tones the entire surface a nice shade of sepia and I love that look for certain subjects. FYI, for anyone that wants to try my faux batik technique , any shade of India type ink can be used. Because there is so much small detail in this drawing I taped my drawing directly under the waxed paper so all the lines would be visible, then added a layer of clear plastic wrap between the drawing and the waxed paper. There will be bleed through when the alcohol ink goes on and I wanted to protect my drawing. I've been battling lung issues more so than usual lately so I hope this comes together nicely and I tolerate the fumes well. We'll see.

Barnyard Gothic ~ faux batik on waxed paper



The CEO is back for an encore. This time he's painted as a faux batik on waxed paper. I replaced the India ink with walnut ink and it toned the waxed paper so well I didn't bother painting a background. I'm not sure where I got the title but it seemed to fit somehow. Maybe because the walnut ink lends an antique affect to the painting.