Painting 'Jean Haines Style'

I recently received my copy of Jean Haines's new book, How to Paint Colour & Light in Watercolour . I've admired Jean's style since I first saw her work on Wetcanvas.com. During my early days dabbling in watercolor I followed a class Jean was giving on the w/c learning forum and found her style was beyond me at that point. I had just left realistic drawing and was relatively new to this medium. My intent was to pursue a medium that would allow (ok...FORCE) me to be more free and expressive. I found Jean's 'beyond' loose watercolor paintings fascinating but I just could not let go of that much control at the time. I'm better now (I have been able to loosen up) but this is taking it to the extreme , IMO and it's exciting.

This is my first humble attempt (I'm not counting those horrible paintings I created in her class years ago) at watercolor 'Jean Haines style'. My subject is one of my own cats. I'll leave my visitors to figure out what the cat is doing. Please take time to post your answers or guesses. Thanks!

Daniel Smith's 66 Color Try It Sheet~product review

FYI...Daniel Smith Art Supply offers a product called the 66 Try It Sheet (link), an 8.5" x 11" sheet of watercolor paper with 66 sample dots of their various extra fine watercolors, including many of their specialty colors such as interference shades and duochromes complete with all color information such as ASTM LR rating, degree of transparency, etc. I think it's a brilliant sales tactic on their part because it gives the artist a sampling of each of these colors for very little money. I ordered my sheet and today I wet most of the dots (some colors I have and am already familiar with) to see with my own eyes what they look like IRL and how they perform. I highly recommend this product to any artist if DS products are available in their country.

Berries & Birch~photo

Because of the odd weather last summer there were no ash berries. This year the mountain ash that flanks the birch trees across my drive is loaded with berries and I snapped this shot which I wanted to share. I love the colors of the berries and mountain ash leaves, the white flash of the birch bark and the Fall colors of the birch leaves. The color combination is amazing and looks bright, even on a rainy day. This may be inspiration for a future painting or just give me ideas for color combinations.

Beach Babies & Gremlins

The Beach Babies are done! This is one of those paintings that I could sit and tweak until the cows came home but I think it's time to stop. I don't want it to begin looking overworked, overwrought, over-thought, etc. I hope it shows up correctly on screen. I'm still fooling around with my new monitor, trying to calibrate the colors, contrast, etc. Umm...looks like the colors of the water & sand are off on my screen but the babies look pretty accurate. I just wish I could know what my visitors are seeing.

Note: I swear...I have a gremlin visiting. I have had more things go wrong in the last few weeks, all mechanical in nature. The most recent 'happenings'...my computer mouse died. No big deal, right? Then the new one malfunctioned a day after I bought it and also had to be replaced. Two days later my computer monitor gave up the ghost. Fortunately my oldest son came to my rescue and found a great deal on a 19" flat screen to take the place of my poor little 15". All this made me nervous enough to call a local plumbing & heating contractor to come inspect my furnace as it's getting old and with winter coming that's one thing I can not live without. He'll be here next week and hopefully the news won't be too bad. Last night I took the time to sketch what I imagine my gremlin looks like. Nothing terribly threatening, just up to no good, throwing his wrench into things.

Beach Babies~Sketch

I've finally decided on a format for this commission. The current sketch is only 10" x 14". I'm going to go ahead and paint this but may wind up enlarging the sketch and redoing. I'm not sure I can work this small and include enough detail. I'll also be matting and framing this so I don't have to worry about keeping to any particular size. The hands will be the most difficult, especially since I changed a few things. I may have to borrow my neighbor's kids as models to sort things out.

I haven't been painting a lot these past two months but have been taking lots of photos for possible future references. Hopefully they will provide me with plenty of inspiration during the coming winter months. Fall in northern lower Michigan has been unusually pleasant weatherwise this year but I know it won't last much longer.

Peacock Orchids~WIP 2

A quick update on my progress. Poor quality photo but it's the best I could manage today. At least the colors are more accurate than the image in my previous post. There's still hours of work ahead so I may wind up having to set this one aside (it will haunt me)so I can start my Beach Babies commission.

I love Doris Joa's work (link) and hope to capture some of her style for the Beach Babies. I checked to see if she had a book out on painting figures, particularly children but I found nothing available so I'll be winging it. Under these circumstances I'd better get a jump start as it may take more than one try to get it the way I want it.

Peacock Orchids~WIP 1

I've done all my shadows with fluid acrylic, then started glazing over that with watercolor, in this case Daler/Rowney's Vivid Green. The actual blooms are still protected by frisket film. I'll be tackling those last.

It seems like ages since I updated my blog, probably because I was locked into what I call analysis paralysis ie. over thinking. I'm also not the type of artist to have several projects going at once. If I have a piece that's not completed pushed to the side it tends to haunt me to distraction. This is also my first full sheet piece. It may not be a big deal to some but it's huge to me. I'm loathe to waste anything, especially paper so the thought of ruining a full sheet was rather numbing and counterproductive soooo.....I've been 'pecking' away at this for a few weeks. I'm not crazy about Arches #140 HP paper either. I've had problems in the past removing masking fluid and frisket film from the surface which tends to rough up very easily and I'm having the same issues with this recent batch. I should've ordered Fabriano. :(

As my reference for this piece, I used one of the photos I took last month in my Moon garden. I used frisket film to protect the flowers and foliage, masking fluid to protect areas of smaller growth at the bottom. I chose to pour my background using Da Vinci fluid acrylics. I took the whole painting, board and all into the bath tub and did my pouring there. Worked like a charm..no muss, no fuss. I washed the excess paint down the drain with my detachable shower head. I may do all my pours in the tub from now on.

Beach Babies~commission

I wanted these children to relate more to each other within the scene, possibly by connecting their shadows or their footprints in the sand. I drew a rough sketch of the background on a sketch pad, then each child separately on small bits of tracing paper so I could move them around and try different placements. It was a little like playing paper dolls. By bringing the boy closer to his sister and lowering his position his left hand 'fit' into her right hand perfectly. Issue solved.

The reference photo

I've received a commission to paint this adorable scene of two siblings, a sister(age 3) and her brother(age 14 months) enjoying a day at the beach. Even though I've only painted one child(a portrait) and I've never painted a beach scene, how could I resist this? I have until Christmas to complete this commission so I plan to take my time and hopefully do these babies justice.

New Easel!

I just bought my very first easel! What(?!) you say? Truthfully, I probably would still be propping my work up against a wall or on boxes to work but after finishing my drawing of the peacock orchids I realized there was no way I could handle this large of a format without an easel. I found a great deal at Jerry's Artarama on a Renoir tabletop model (link). It cost about half what some of the tabletops I looked at were priced and Jerry's was even having a sale on the usual sale at the time. Got this for $39.99 US. I always miss sales so I was delighted to have caught this one. It just arrived this past Friday and I love it. It has a storage drawer with adjustable partitions, weighs practically nothing and will adjust to angles 0°-90°. Perfect for watercolor.

Plotting a Painting of Peacock Orchids

I put the original photo into Irfanview, greyscaled it, then selected 'emboss'. Much to my delight(!) the nepeta in the foreground (which I plan to include and was dreading painting) looked just like textured acrylic gesso so the gesso will definitely play a part in this piece.

Art Nouveau? Needs a fancy graphic border.

I have a wonderful stone aggregate birdbath that didn't make it into the original photo. Ummm.....

I have not been updating my blog much lately but I have been working. Mostly I've been printing and packaging notecards for the Artists Market. Labor Day weekend is basically our last hoorah for tourist season, then art sales tend to drop off drastically during the winter and card sales have been really good this season. I also chose the photo I posted August 21st as a reference for a painting. I loved the comp, the lighting and I especially liked the silhouette of the grasshopper showing through one of the leaf blades. To me, it's little unexpected details like this that make a painting special. I've also played around with a couple of possible additions. See above.

Nick Simmons has mentioned several times that a painting will tell you what size it needs to be. In the case of the peacock orchids my usual working size of 16" x 20" wasn't going to cut it. Right now I estimate this painting will probably wind up taking roughly a full sheet....22" x 30". I've been itching to paint in a larger format lately but have been dragging my feet. I have nowhere to store this large of a painting, nothing to safely store it in and because my studio is so small, hardly any room to even paint it. Minor issues........

Gizmo the Cat

I couldn't resist...I brought out her inner lion.

If there's anything harder than photographing a black cat it's photographing a pastel or colored pencil piece on a black background. }:( This pencil painting is of Gizmo, my youngest cat who I have tried many times to photograph without success. She's all black and her fur just 'eats' light. She hates the camera and usually scowls when I point it in her direction but I got lucky the other night and managed to snap a halfway decent pose that I felt I could work with. I posted earlier, then took it down because I noticed the perspective was off on the flooring in the background. After correcting the problem I can NOT get another acceptable photo of this piece so I'm posting what I have, warts and all. If I can get an acceptable photo later I will repost.

This is done on black Artagain with Prismacolor colored pencils.

Peacock Orchids~subject study

Above is a more detailed life sketch, done yesterday when the weather was cooperating. I did it mostly to record the plant form but I think it has possibilities as a composition.

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Below is one of my life sketches with notes I took. Something I never noticed...the top most petal doesn't have the characteristic maroon markings of the other petals. If I had been given a pop quiz on this subject I would've failed. :(

Photo of the intricate 'braided' flowering stems. This year the peacock orchids have grown taller than usual...some topping 3 feet with as many as 10 blooms along the one main stem. With this many blooms on a stem the braided effect became very apparent and something I wanted to record for future reference.

A nice clear closeup of the anther and stamens...good to have.

The two images directly above...buds in various stages of opening.

As I was working out my drawing I realized I didn't know what my subject looked like from this angle. I didn't have a clear photo on hand at the time.

The other night I started making plans and doing sketches for a painting of peacock orchids. While sketching I realized I wasn't as familiar with these flowers as I originally thought. I've grown them for years but never really studied them. I was stumped as to how they looked from certain angles, how their stamens and anthers appeared, I had questions about the texture of the foliage, etc. so I decided to study my subject. I did several sketches from life, took notes and snapped multiple photos...long shots, closeups, super macros. I'm becoming so methodical lately. This is something I need to include in my process more often. If you work primarily from photos as I do you can't have too much information at hand. If at all possible take time to closely observe your subject/subjects, sketch, make notes and take lots photos from many different angles.

White

A stand of peacock orchids among white nepeta in my Moongarden.

Peacock orchid~closeup

Hosta bloom

My gosh...has it been an entire week since I updated my blog?! Guess so!

I've decided I want to redo Pat's Sunflower in a larger format along with My Sunflowers but I've left these projects on the back burner for now for various reasons. I've been working with a lot of potent color lately so for a change I went into the garden this past week with my camera looking for something less colorful and what's the least colorful color but white. Actually white can be full of color, just not saturated color. Currently my Royal Standard green hostas are blooming. Normally I'm not crazy about hosta flowers. The stems are usually spindly and the flowers are an uninspiring shade of lavendar. The exception in my gardens are the Royal Standards. The stems are shorter and sturdier and the flowers are larger and more substantial plus they smell like lily-of-the-valley which I like. It's also bloomtime for the peacock orchids. I love these flowers and have painted them before. They make wonderful subjects. Now to decide which to paint.

Pat's Sunflower~center reworked

This painting won't be going to market but I've sure had some fun with it. I used white acrylic gesso and dabbed it on the center of the flower with a small brush. My goal was to recover all the texture I lost in the first go-around. Today I went over the gesso with color. I didn't follow the reference too closely, instead putting various colors wherever I thought they looked good to me. I used a mixture of watercolor and fluid acrylic this time but stayed with the original palette. I truly like the results and would do this again, the next time a little wiser for my trouble.

Pat's Sunflower~Time to Start Over

Well, sometimes things work out and sometimes they don't. In this case, they didn't but I will post my results anyway. I made a vow awhile back that I would share my failures as well as my successes.

I wound up using fluid acrylics for the entire painting. I had the brilliant idea that I would create texture for the center of the flower with white acrylic gesso, then lay in my foundation colors...the yellows, reds, etc. When those were dry I then planned to go over the same area with a very dark color and quickly wipe away this same dark color from the more raised areas of the texture leaving the deeper color in the crevices creating contrast and definition. It was a sound plan but could've been better executed. I didn't create enough texture for my idea to be successful. I've been using this painting to experiment on so it isn't going to waste.

There was a time if I produced a failed painting it used to throw me for a loop. I was only as good an artist as my last painting. Today I see it as nothing more than a learning experience. Happily I can say that now and really mean it. Rather than questioning my abilities, berating myself and quickly tossing the painting in the bin to hide the evidence I study the problem and figure out what went wrong and how I can do things differently next time. No failure is a waste. There's something to be learned every time I put brush and paint to paper, no matter what the outcome.

Pat's Sunflowers~WIP continued

I transferred my drawing to Fabriano HP paper, then applied a layer of frisket film over top. I started cutting away areas of frisket and just kept going, basically deconstructing this sunflower. I have no idea if this will be a success or not but I had to try. I mixed up three containers of Da Vinci fluid acrylic...one with a mix of Phthalo blue/Hookers green, one with the same mixture plus Burnt Sienna added and the last with just Burnt Sienna, all diluted with water and I started pouring. I won't be able to update until Friday. My camera batteries died and they take 24 hours to fully recharge. In the meantime, I'll keep pouring and see what comes of it.

Pat's Sunflower~ WIP (quick update)

I haven't made much progress on this to date. I spent the better part of an hour just sorting out the tangle of sepals by adding values. I don't dare go further before transferring this to my working paper or I'll lose my line drawing completely. I could easily simplify these complicated areas but the wonderful spiky looking sepals, all curled and twisted, are one of my favorite features on a sunflower.

I'm still not sure exactly how I want to tackle this project either. After my alterations in Elements parts of this flower now look very graphic while other areas retained their organic aesthetic. I'm trying to figure out how I can combine the two approaches and still make it work.

Pat's Sunflower~WIP

My line drawing w/beginnings of a value study

After I had my way with this flower in Elements 6.0

The original image..a real beauty :)

One of my Facebook friends, Pat was kind enough to share some photos of her sunflowers with me. I chose one of the images and put it into Elements, played with different crops, applied various filters and adjusted the colors. I finally came up with an image I like. I've just started working on the line drawing and value study. I'll be starting out with watercolor but I'm pretty sure this will wind up as a mixed media piece before it's over.

Sun Kings~Complete

The completed painting. The Zig marker is very shiny gold but I'm not sure that's apparent in this image.

I've removed the old frisket and placed a fresh piece over the crow. I then cut around the shape of the crow with an Exacto knife, removed the cutout and went over the exposed paper with black marker. I peeled off the rest of the frisket when the marker was dry and Voila! A black crow.

....I think. I'm really not sure if this needs something more or not. I'll have to look at it for a few days before I decide. I completed the crows and I love them. I'm wondering if I need to add more. I wound up removing the Frisket film from the crows, laying on a fresh piece of Frisket, creating a stencil of sorts with my Exacto knife, then coloring in the shapes with a permanent Sharpie. I also used black marker to color in gaps in the wax on the flower centers. I used my gold metallic Zig Painty to embellish the flowers, one stem and to paint all the leaves. Zig Paintys will mark over just about anything because they are oil based and they went over the paraffin very well.

Sun Kings~WIP

This is the result after another 4 pours, two with Pyrrol red, another just Indian yellow and one with a mixture of both.

The first pour which was just Indian yellow. I used Frisket film to protect my crows.

My wax 'pencils' which I carved out of a block of paraffin with an Exacto knife. I went over all the gold metallic pencil lines with the wax before starting my pours.

It's hard to tell from this image but here I've gone over all the lines with the gold metallic pencil.

My original drawing

I decided to stay with sunflowers for my next project so I came up with a more stylized version. I made my sketch on drawing paper, enlarged it and transferred it to #140 Fabriano HP paper. I played around in Elements with an image of my drawing first to get some ideas regarding colors. After trying out a few possible palettes I settled on DR Indian yellow and DS Pyrrol red.

Once the drawing was transferred to my working paper I went over all the lines with my metallic gold Prismacolor pencil. I chose to do simple crosshatching for the flower's centers. I had a certain effect in mind and decided to experiment with paraffin wax as a resist. No special wax, just the stuff you melt to seal jelly jars. It worked but I found I had to be careful not to use a synthetic bristle brush over it or the wax would rub off. Conclusion? Pouring was my best option. I am using a squirrel hair mop to very gently guide the paint only when absolutely necessary and so far the wax is staying put.

Intention: I want to create the illusion of great size and height for these sunflowers so I added some crows, not only for suggested scale but also because I think crows are cool and they go well with sunflowers. I drew a few outlines of crows on tracing paper so I could see where to place them in the composition. As the crows were on tracing paper, it was also possible to flip the line drawings over to change the direction of the crow's outline giving me more options.